Name: Émilie, ou la Belle Esclave
Start: 2020-01-16T00:00:00.000Z
End: 2020-01-17T00:00:00.000Z
Location: Cité Internationale Universitaire de Paris

Artist

Admin

Conductor

Basil Considine

Stage director

Elissa Edwards

Assistant Music Director

Geraldine Anello

Bass-baritone

Rodolfo Nieto

Bainval

Tenor

Steven Halloin

Soprano

Victoria Erickson

Émilie

Brooke Wahlstrom

Thore Dodsall

Dorville

Shelley Mihm

Orphise

Others

The Really Spicy Opera Ensemble

Orchestra

The Really Spicy Opera Orchestra

Really Spicy Opera

franču

Émilie, ou la Belle Esclave

Paris

France

Auditorium Bibliothèque Nationale–François Mitterrand

Cité Internationale Universitaire de Paris

Émilie, ou la Belle Esclave Grétry

Public

angļu

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Countertenor

Mezzo-soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Really Spicy Opera is proud to present a historic revival of André Modest Grétry’s 1781 opera Émilie, ou la belle esclave as the centerpiece of its January 2020 tour of France. This opera, originally commissioned by Marie Antoinette for a private performance, was repurposed to support French fundraising in support for the American Revolution. Its stirring music and vibrant chamber dramatics showcase the skills that made Grétry into Mozart’s favorite opera composer – and show how Marie Antoinette took an active role in steering the development of French opera.

English

Émilie, ou la Belle Esclave by Grétry, No (2020/2020), Režisēja Elissa Edwards,, Diriģents Basil Considine, Cité Internationale Universitaire de Paris, Paris, France

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