Organization

Śpiewak

Miljenko Đuran

Mića

Ivica Čikeš

Marko

Terezija Kusanović

Doma

Valentina Fijačko

Đula

Ljubomir Puškarić

Sima

Tea Požgaj

Čobanče

Dyrygent

Hari Zlodre

Reżyseria

Krešimir Dolenčić

Scenografia

Dinka Jeričević

Kostiumy

Danica Dedijer

Choreografia

Lucijano Perić

Przygotowanie chóru

Ana Šabašov

Reżyseria światła

Zoran Mihanović

Kristina Anđelka Đopar

Božena Svalina

HNK Split

Others

Riječki operni zbor

Orchestra

Croatian National Theatre Ivan Zajc Opera Orchestra

Ero the Joker -  (Ero błazen)

Split

Chorwacja

Ero the Joker Gotovac

Public

Ero błazen

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Sopran

Baryton

Kontralt

Kontratenor

Bas - baryton

Mezzosopran

Tenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

The act that Mićo, a rich peasant, changes and pretends to have fallen from the sky, from the other world in order to test nature and devotion of the girl he loves, develops into a whole set of comic situations and plots. A fresh and live stage life pulsates in the opera. People with human virtues and faults live there. This opera is full of beautiful folk songs that Gotovac incorporated in his work with a skill of a great artist. Gotovac and Begović, the libretto writer, found the basis for the opera's music and text in the folklore of many South Slavic groups, ranging from Dalmatian folklore (the final “Vrlik aKolo” dance) to Kosovo female songs from Gnjilane (opening female chorus “Duni mi, duni, lađane”). Deprived of pathos, full of sparkling satire this opera ranks among the best works of Slavic opera literature.

English

Ero błazen by Gotovac, pon 07 lis 2016, od (2016/2017), W reżyserii Krešimir Dolenčić,, Dyrygent Hari Zlodre, HNK, Split, Chorwacja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca