Name: Faust
Start: 2016-08-14T00:00:00.000Z
End: 2016-08-29T00:00:00.000Z
Location: Großes Festspielhaus

Admin

Organization

Śpiewak

Tenor

Piotr Beczała

Doktor Faust

Ildar Abdrazakov

Mefistofeles

Sopran

Maria Agresta

Małgorzata

Baryton

Alexey Markov

Walenty

Mezzosopran

Tara Erraught

Siebel

Paolo Rumetz

Wagner

Marie-Ange Todorovitch

Marta

Dyrygent

Alejo Pérez

Reżyseria

Reinhard von der Thannen

Kostiumy

Scenografia

Alexander Fahima

Przygotowanie chóru

Walter Zeh

Choreografia

Giorgio Madia

Reżyseria światła

Franck Evin

Salzburger Festspiele

Orchestra

Wiener Philharmoniker

Others

Philharmonia Choir Vienna

francuski

Faust

Salzburg

Austria

Großes Festspielhaus

Faust Gounod

Public

niemiecki

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Bas - baryton

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

A cosmopolitan lyric-dramatic talent’ – that is what Eduard Hanslick, the most influential music critic of the nineteenth century, called the composer Charles Gounod, whose life, so full of changes, began in Paris, where he was born on 17 June 1818. Encouraged from early on by his mother, a highly gifted pianist, to pursue a musical career, his initial efforts as a composer were sacred works. It was the singer Pauline Viardot who pointed him in the direction of opera and for whom he composed Sapho, his first stage work (1851). Despite a lukewarm reception by the public, Gounod was persuaded that he was called to be an opera composer, and it was his setting of Faust that established his worldwide fame.

The struggle of the eternal seeker with the powers of the cosmos were not what occupied the centre of Gounod’s interest, but rather that episode from Faust Part One that most readily lent itself to musical adaptation – specifically the ‘Gretchen tragedy’, which Goethe had already woven into his Urfaust, his very first treatment of the material, and which is based on the fate of a servant girl, Susanna Margarethe Brandt, condemned to death in 1772. That is the reason the opera was called Margarethe in the German-speaking world for a long period of time.

English

Faust by Gounod, ndz 14 sie 2016, od (2016/2016), W reżyserii Reinhard von der Thannen, Alexander Fahima,, Dyrygent Alejo Pérez, Großes Festspielhaus, Salzburg, Austria

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca