Organization

Singer

Mezzo-soprano

Katarzyna Haras-Kruczek

Hodel Dorothea

Other

Silent

Adam Czermak

Fiedler

Jacek Jaskuła

Tevye

Elżbieta Kaczmarczyk-Janczak

Golde

Dorota Dutkowska

Tzeitel

Barbara Bagińska

Yente

Łukasz Rosiak

Perchik

Edward Kulczyk

Awram

Jolanta Serednicka

Grandma Tzeitel

Tenor

Aleksander Zuchowicz

Sascha

Baritone

Tomasz Rudnicki

Constable

Stage director

Marek Weiss

Adam Frontczak

Costume designer

Ryszard Kaja

Choreographer

Emil Wesołowski

Bożena Klimczak

Chava

Piotr Bunzler

Motel Kamzoil

Andrzej Zborowski

Mordcha

Marek Klimczak

Rabbi

Paweł Walankiewicz

Mendel

Marcin Klarman

Nachum

Sergii Borzov

Fjedka

Jolanta Górecka

Fruma Sarah

Jerzy Szlachcic

Lejzor

Grandfather

Conductor

Tomasz Szreder

Opera Wrocławska

Others

Choir of the Wroclaw Opera

Orchestra

Orkiestra Opery Wrocławskiej

Ballet

Balet Opery Wrocławskiej

poļu

Fiddler on the Roof

Wrocław

Poland

Public

Approved

Fiddler on the Roofis one of those musicals that went around the world, and many of its fragments are known to audiences regardless of latitude. Composer Jerry Bock, in the early 1950s, having already had three successful musicals to his credit, received an offer from the then management of the New York Imperial Theater to compose a play, after which audiences leaving the theater would hum fragments of it. In a word - the management asked the composer for a hit that would be unrivaled in relation to other Broadway theaters. Bock agreed and invited spoken author Joseph Stein and songwriter Sheldon Harnick to collaborate. The libretto is based on the stories of Szolem Aleichem, in which the main character is the milkman Tewje, his wife Golde, and their three daughters, Cajtel, Hodel and Chawa, who want to marry. It all takes place in 1905 in the Russian village of Anatevka, where traditional Jewish society lives with the Russian community slowly preparing for the revolution. The element that binds all art is the concept of Tradition passing into modernity personified in the form of Tevi, who undergoes an internal transformation before our eyes.
The fiddler on the roof was first introduced in 1954, he almost immediately began to break all popularity records and it is still so today, because - as Tewje says - each of us is just such a fiddler on the roof, trying to bring out the cheerful , sonorous tone without breaking the neck. It's not an easy art! (...) And what allows us to keep balance in this uncomfortable position for so many years? I can answer you with one word - Tradition ...

English

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Lomās

Radoša komanda

Ansamblis