Organization

Luci

Costumi (+2)

Yashi

Direttore d'orchestra

Direttore d'orchestra (+1)

Motonori Kobayashi

Regia

Regia (+5)

Marie-Eve Signeyrole

Scenografia

Scenografia (+3)

Fabien Teigné

Costumi

Coreografia

Martin Grandperret

Direzione del coro

Direzione del coro (+4)

Fabio Mancini

Drammaturgo

Merle Fahrholz

Soprano (+1)

Anna Sohn

Brunhilda

Mezzosoprano (+1)

Hyona Kim

Frédégonde

Tenore (+1)

Sergey Romanovsky

Mérowig

Baritono (+3)

Mandla Mndebele

Hilpérick

Tenore (+2)

Sungho Kim

Fortunatus

Basso-baritono (+3)

Demian Matushevskyi

Landéric

Basso (+4)

Ian Sidden

Un Serviteur

Basso (+2)

Denis Velev

L'Evêque Prétextat

Regista cinematografico

Video (+1)

Laurent La Rosa

Direttore Di Produzione

Direttore d'orchestra (+6)

Fabian Schäfer

Coach Linguistico

Pianista (+3)

Aymeric Catalano

Assistente Alla Regia

Assistente alla regia (+3)

David Bolik

Direttore Degli Studi

Direttore d'orchestra (+2)

Thomas Hannig

Cinematografo

Jonas Schmieta

Manager

Regia (+2)

Alexander Becker

Direttore di scena (+1)

Ulas Nagler

Assistente scenografo

Scenografia (+1)

Emine Güner

Assistente costumista

Assistente costumista (+2)

René Neumann

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Chorus

Opernchor Theater Dortmund

Opernhaus Dortmund

Suggeritore

Coreografia (+1)

Adriana Naldoni

Assistente alla coreografia

It's a family feud - escalating into a civil war. Brunhilda competes against Hilpéric, her brother-in-law. The target of their attack, however, is the woman at his side, Frédégonde. After Hilpéric overwhelms his sister-in-law with a surprise attack, his son Mérowig is supposed to banish her to a shielded monastery. But Mérowig is so enchanted by her that he disobeys his father's orders...

When Ernest Guiraud died in 1892, only the first three acts of Frédégonde were available, the rest was composed by Guiraud's companion and friend Camille Saint-Saëns. His personal style, based on romantic harmonies and classical forms, makes Frédégonde a unique testament to the musical diversity of the late 19th century.
In the implementation for the Dortmund Opera, the audience follows the two queens as they look back on their eventful lives. A fascinating mix of live experience on stage and silent film brings the Merovingian era back to life.

francese

Dortmund

Germania

Opernhaus