Name: Freundliche Vision: Strauss's Life in Song
Start: 2022-10-15T00:00:00.000Z
End: 2022-10-15T00:00:00.000Z
Location: Holywell Music Room

Organization

Oxford Lieder

Singer

Spoken

Gavin Plumley

Soprano

Emily Christina Loftus

Pianist

George Ireland

Baritone

Wonsick Oh

Aron Goldin

Freundliche Vision: Strauss's Life in Song

Oxford

United Kingdom

Holywell Music Room

Freundliche Vision: Strauss's Life in Song: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Tenor

Bass-baritone

Bass

Contralto

Alto

Child vocalist

Continuo

Silent

Throughout his long life, Richard Strauss was the picture of bourgeois ease. Born in Munich, his childhood home was filled with music, thanks to his horn playing father and his mother’s sister, a singer, who would often perform at family gatherings. Her repertoire included Strauss’s very first compositions, setting words by leading Romantics, as well as the poetry of his father’s Bavarian contemporaries. Cutting the apron strings, Strauss’s literary taste developed in richer directions as his songs similarly morphed to reveal a psychological acuity that would pave his way to the stage. When operatic fame arrived, song composition waned. Nonetheless, Strauss would return to Lied in later life, revealing both a sharp tongue and, occasionally, compliance with the Third Reich. But it was during that final chapter that Strauss also rediscovered a more private world, recalling the familial comfort of childhood and the memories of his wife’s soprano voice. Written in the aftermath of World War II, the composer’s last works were acts of contrition that could arguably only find voice in song. Cultural historian Gavin Plumley sets Strauss’s Lied output in the context of his life and times.

Gavin is joined by four exceptional Oxford Lieder Young Artists. They illustrate the event with performances of Strauss songs from the early, famous 'Zueignung' right through to songs from the Four Last Songs.

Between Parts One and Two of this event, soprano Sarah Wegener and pianist Götz Payer give a recital of Strauss songs, not to be missed. Full details here.

English

Freundliche Vision: Strauss's Life in Song by Various, Alkaen (2022/2022), Holywell Music Room, Oxford, United Kingdom

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