Admin

La Monnaie/De Munt

Dirigent

Dirigent (+2)

Alain Altinoglu

Regie

Pierre Audi

Bühnenbild

Bühnenbild (+3)

Michael Simon

Kostümbild

Kostümbild (+1)

Petra Reinhardt

Dramaturg

Dramaturg (+2)

Klaus Bertisch

Chordirektion

Chordirektion (+2)

Emmanuel Trenque

Tenor

Bryan Register

Siegfried

Bass-Bariton (+3)

Andrew Foster-Williams

Gunther

Bariton (+2)

Scott Hendricks

Alberich

Bass (+3)

Ain Anger

Hagen

Sopran

Ingela Brimberg

Brünnhilde

Sopran (+2)

Anett Fritsch

Gutrune

Mezzosopran (+5)

Nora Gubisch

Waltraude

Mezzosopran (+2)

Marvic Monreal

Erste Norn

Mezzosopran (+3)

Iris van Wijnen

Zweite Norn

Sopran (+1)

Katie Lowe

Dritte Norn

Tamara Banjesevic

Woglinde

Jelena Kordic

Wellgunde

Christel Loetzsch

Flosshilde

Orchestra

La Monnaie Symphony Orchestra

La Monnaie

Lichtgestaltung

Valerio Tiberi

Chorus

La Monnaie Chorus

La Monnaie Choral Academy

Choreographie

Choreographie (+1)

Pim Veulings

Video

Video (+1)

Chris Kondek

Der Ring des nibelungen reaches its apotheosis
Gathered at the foot of the rock where Siegfried and Brünnhilde have come together, three Norns weave the fate of the world. Past, present and future are interwoven in their rope; when it breaks unexpectedly, the fates still have one oracle: the twilight of the gods is imminent! Götterdämmerung has more than one ending: Siegfried falls victim to intrigue and to his own innocence, Valhalla goes up in flames, Brünnhilde sacrifices herself to return the ring to the Rhinemaidens. Alliances are forged and immediately broken again, magical potions and helmets create painful confusions, and generational traumas result in general destruction. Everything familiar to humans and gods collapses. 

Richard Wagner spent twenty-six years tinkering with the final part of his Ring, from the first sketches for the scenario to the completion of the composition. The score is a fascinating blend of motifs from the entire tetralogy and offers, in this new production by Alain Altinoglu and Pierre Audi, a devastating end to the cycle that has captivated La Monnaie for two seasons.

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