Admin

La Monnaie/De Munt

Direttore d'orchestra

Direttore d'orchestra (+2)

Alain Altinoglu

Regia

Pierre Audi

Scenografia

Scenografia (+3)

Michael Simon

Costumi

Costumi (+1)

Petra Reinhardt

Drammaturgo

Drammaturgo (+2)

Klaus Bertisch

Direzione del coro

Direzione del coro (+2)

Emmanuel Trenque

Tenore

Bryan Register

Siegfried

Basso-baritono (+3)

Andrew Foster-Williams

Gunther

Baritono (+2)

Scott Hendricks

Alberich

Basso (+3)

Ain Anger

Hagen

Soprano

Ingela Brimberg

Brünnhilde

Soprano (+2)

Anett Fritsch

Gutrune

Mezzosoprano (+5)

Nora Gubisch

Waltraute

Mezzosoprano (+2)

Marvic Monreal

1. Norna

Mezzosoprano (+3)

Iris van Wijnen

2. Norna

Soprano (+1)

Katie Lowe

3. Norna

Tamara Banjesevic

Woglinde

Jelena Kordić

Wellgunde

Christel Loetzsch

Flosshilde

Orchestra

La Monnaie Symphony Orchestra

La Monnaie

Luci

Valerio Tiberi

Chorus

La Monnaie Chorus

La Monnaie Choral Academy

Coreografia

Coreografia (+1)

Pim Veulings

Video

Video (+1)

Chris Kondek

Der Ring des nibelungen reaches its apotheosis
Gathered at the foot of the rock where Siegfried and Brünnhilde have come together, three Norns weave the fate of the world. Past, present and future are interwoven in their rope; when it breaks unexpectedly, the fates still have one oracle: the twilight of the gods is imminent! Götterdämmerung has more than one ending: Siegfried falls victim to intrigue and to his own innocence, Valhalla goes up in flames, Brünnhilde sacrifices herself to return the ring to the Rhinemaidens. Alliances are forged and immediately broken again, magical potions and helmets create painful confusions, and generational traumas result in general destruction. Everything familiar to humans and gods collapses. 

Richard Wagner spent twenty-six years tinkering with the final part of his Ring, from the first sketches for the scenario to the completion of the composition. The score is a fascinating blend of motifs from the entire tetralogy and offers, in this new production by Alain Altinoglu and Pierre Audi, a devastating end to the cycle that has captivated La Monnaie for two seasons.

Recensioni