Name: III Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór)
Start: 2023-09-03T00:00:00.000Z
End: 2023-09-07T00:00:00.000Z
Location: Kościół Seminaryjny

Organization

Conductor

Krzysztof Garstka

Chorus master

Jakub Szafrański

Singer

Soprano

Marta Boberska

Contralto

Anna Radziejewska

Alto

Tenor

Sylwester Smulczyński

Bass

Paweł Michalczuk

Aneta Łukaszewicz

Others

Zespół Wokalny Polskiej Opery Królewskiej

Zespół Instrumentów Dawnych Polskiej Opery Królewskiej Capella Regia Polona

Polska Opera Królewska

III Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór)

Warsaw

Poland

Kościół Seminaryjny

Lubartow

Iii Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór): Messiah Händel

Public

Messiah HWV 56

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Countertenor

Bass-baritone

Child vocalist

Continuo

Silent

Spoken

Messiah Händel

Wydarzenie w ramach III Festiwaly Lubartowska Jesień Muzyczna

 

Oratorium Mesjasz zajmuje szczególne miejsce w twórczości Georga Friedricha Haendla. Siła jego wyrazu oraz uniwersalność przesłania sprawiły, iż jeszcze za życia kompozytora Mesjasz został okrzyknięty Arcydziełem. Choć skomponowane w zaledwie 24 dni, to do dziś cieszy się niegasnącą popularnością, za każdym razem wzbudzając entuzjazm publiczności. 

Libretto przygotowane przez Charlesa Jennensa jest kompilacją tekstów zaczerpniętych z Biblii Króla Jakuba oraz Modlitewnika Powszechnego. W istocie każda z trzech części utworu podejmuje osobny wielki temat. Część pierwsza zawiera proroctwo przyjścia na świat Zbawiciela. Druga część, zwieńczona słynnym chórem Alleluja, opowiada o życiu, śmierci i zmartwychwstaniu Chrystusa. Natomiast część ostatnia koncentruje się wokół zapowiedzi zbawienia ludzkości. 

Pod względem muzycznym Mesjasza charakteryzuje bogactwo zastosowanych środków, przy zachowaniu niewielkiej obsady wykonawczej. Za życia kompozytora zespół wokalistów i instrumentalistów nie przekraczał liczby 60 osób. Do tego pierwotnego brzmienia pragną nawiązywać artyści Polskiej Opery Królewskiej. Stąd też znakomitym solistom oraz zespołowi wokalnemu towarzyszyć będzie zespół instrumentów dawnych – Capella Regia Polona. Przy klawesynie zasiądzie Krzysztof Garstka, który poprowadzi wykonanie dzieła.

Marta Dziewanowska-Pachowska

 

Część I

1. Sinfonia
2. Comfort ye my people (tenor)
3. Ev’ry valley shall be exalted (tenor)
4. Thus saith the Lord of hosts (bas)
5. But who may abide the day of His coming (alt)
6. And he shall purify the sons of Levi (chór)
7. The people that walked in darkness have seen a great light (bas)
8. For unto us a child is born (chór)
9. And suddenly there was with the angel (sopran)
10. Glory to God in the highest (chór)
11. Rejoice greatly, O daughter of Zion (sopran)
12. His yoke is easy (chór)

Część II

13. Behold the Lamb of God (chór)
14. He was despised and rejected of men (alt)
15. Surely he has borne our griefs and carried our sorrows (chór)
16. All they that see him laugh him to scorn (tenor)
17. He trusted in God that he would deliver him (chór)
18. Thou art gone up on high (alt)
19. The Lord gave the word (chór)
20. How beautiful are the feet (sopran)
21. Why do the nations so furiously rage together (bas)
22. He that dwelleth in heaven (tenor)
23. Thou shalt break them with a rod of iron (tenor)
24. Hallelujah (chór) 

Część III

25. I know that my Redeemer liveth (sopran)
26. By man came death (chór)
27. The trumpet shall sound (bas)
28. If God be for us, who can be against us (sopran)
29. Worthy is the Lamb (chór) / Amen (chór)

polski

An event as part of the 3rd Lubartowska Jesień Muzyczna Festivals

 

The oratorio  Messiah  occupies a special place in the work of George Frideric Handel. The power of its expression and the universality of its message meant that the Messiah  was hailed as a Masterpiece even during the composer's lifetime. Although composed in just 24 days, it still enjoys undying popularity, each time arousing the enthusiasm of the audience. 

The libretto prepared by Charles Jennens is a compilation of texts taken from  the King James Bible  and  the Book of Common Prayer . In fact, each of the three parts of the work takes up a separate great theme. The first part contains the prophecy of the coming of the Savior into the world. The second part, crowned by the famous Alleluia chorus  , tells of the life, death and resurrection of Christ. The last part, on the other hand, focuses on the announcement of the salvation of mankind. 

Musically, Messiah  is characterized  by the richness of the means  employed  , while maintaining a small ensemble of performers . Throughout the composer's life, the ensemble of vocalists and instrumentalists  did not exceed 60 people .  The artists of the Polish Royal Opera want to refer to this original sound. Hence, with excellent soloists and a vocal ensemble, the group of old instruments - Capella Regia Polona - will accompany them. Krzysztof Garstka will sit at the harpsichord and lead the performance of the work.

Marta Dziewanowska-Pachowska

 

Part I

1. Sinfonia
2. Comfort ye my people (tenor)
3. Ev'ry valley shall be exalted (tenor)
4. Thus saith the Lord of hosts (bass)
5. But who may abide the day of His coming (alt)
6. And he shall purify the sons of Levi (choir)
7. The people that walked in darkness have seen a great light (bass)
8. For unto us a child is born (choir)
9. And suddenly there was with the angel (soprano)
10. Glory to God in the highest (choir)
11. Rejoice greatly, O daughter of Zion(soprano)
12. His yoke is easy (choir)

Part II

13. Behold the Lamb of God (choir)
14. He was despised and rejected of men (alt)
15. Surely he has borne our griefs and carried our sorrows (choir)
16. All they that see him laugh him to scorn (tenor)
17. He trusted in God that he would deliver him (choir)
18. Thou art gone up on high (alt)
19. The Lord gave the word (choir)
20. How beautiful are the feet (soprano)
21. Why do the nations so furiously rage together (bass)
22. He that dwelleth in heaven (tenor)
23. Thou shalt break them with a rod of iron (tenor)
24. Hallelujah (choir) 

Part III

25. I know that my Redeemer liveth (soprano)
26. B y man came death (choir)
27. The trumpet shall sound (bass)
28. If God be for us, who can be against us (soprano)
29. Worthy is the Lamb (choir) / Amen (choir)

English

III Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór) by Händel, Déa 07 Meán 2023, Ó (2023/2023), Seoltóir Krzysztof Garstka, Kościół Seminaryjny, Warsaw, Poland

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid