Name: Il barbiere di Siviglia
Start: 2018-10-03T00:00:00.000Z
End: 2019-04-05T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Reżyseria

Roman Polák

Scenografia

Pavel Borák

Kostiumy

Peter Čanecký

Choreografia

Stanislava Vlčeková

Przygotowanie chóru

Pavel Procházka

Dyrygent

Rastislav Stur

Śpiewak

Tenor

Martin Gyimesi

Hrabia Almaviva

Jozef Benci

Don Bartolo

Mezzosopran

Jana Kurucová

Rozyna

Baryton

Pavol Remenár

Figaro

Peter Mikuláš

Don Bazylio

Sopran

Denisa Šlepkovská

Berta

František Ďuriač

Fiorello

Igor Pasek

Captain

Peter Kružliak

Ambroży

Martin Smolnický

Slovak National Theatre

włoski

Il barbiere di Siviglia -  (Cyrulik sewilski)

Bratysława

Słowacja

Slovak National Theatre Historical Building

Il barbiere di Siviglia Rossini

Public

Cyrulik sewilski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

We divide operas according to various criteria: tragic and comic, belcant, for some we emphasize that they are musical dramas, others bear in their name the place of their origin, such as the great French opera. If we were to responsibly include Rossini's work Barbier of Seville, the most apt designation would be - hunting. Indeed: in this comedy, the author brilliantly plays out comic situations, offers us a wide range of human tips that you just can't find, and presents all the storylines to the viewer as properly tangled spaghetti with a dose of spicy ingredients! Under his masterful hands is the story of Rosina's inmate, who is jealously guarded by her tutor Dr. Bartolo, and who he still gets, with the help of the fucking barber Figaro, young Count Almaviva - well, this seemingly ordinary story turns into the fireworks of original musical and situational ideas under the hands of Master Rossini. And the hunting Rossini, who often plays with completely banal musical forms and techniques without any embarrassment, does so with such charm that it has not hindered anyone for two hundred years and on all the opera stages in the world!

English

Cyrulik sewilski by Rossini, śr 03 paź 2018, od (2018/2019), W reżyserii Roman Polák,, Dyrygent Rastislav Stur, Slovak National Theatre Historical Building, Bratysława, Słowacja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca