Name: Il barbiere di Siviglia
Start: 2018-10-03T00:00:00.000Z
End: 2019-04-05T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Admin

Organization

Stage director

Roman Polák

Set designer

Pavel Borák

Costume designer

Peter Čanecký

Choreographer

Stanislava Vlčeková

Chorus master

Pavel Procházka

Conductor

Rastislav Stur

Singer

Tenor

Martin Gyimesi

The Count of Almaviva

Bass

Jozef Benci

Doctor Bartolo

Mezzo-soprano

Jana Kurucová

Rosina

Baritone

Pavol Remenár

Figaro

Peter Mikuláš

Don Basilio

Soprano

Denisa Šlepkovská

Berta

František Ďuriač

Fiorello

Igor Pasek

Captain

Peter Kružliak

Ambrogio

Martin Smolnický

Slovak National Theatre

Iodáilis

Il barbiere di Siviglia -  (The Barber of Seville)

Bratislava

Slovakia

Slovak National Theatre Historical Building

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

We divide operas according to various criteria: tragic and comic, belcant, for some we emphasize that they are musical dramas, others bear in their name the place of their origin, such as the great French opera. If we were to responsibly include Rossini's work Barbier of Seville, the most apt designation would be - hunting. Indeed: in this comedy, the author brilliantly plays out comic situations, offers us a wide range of human tips that you just can't find, and presents all the storylines to the viewer as properly tangled spaghetti with a dose of spicy ingredients! Under his masterful hands is the story of Rosina's inmate, who is jealously guarded by her tutor Dr. Bartolo, and who he still gets, with the help of the fucking barber Figaro, young Count Almaviva - well, this seemingly ordinary story turns into the fireworks of original musical and situational ideas under the hands of Master Rossini. And the hunting Rossini, who often plays with completely banal musical forms and techniques without any embarrassment, does so with such charm that it has not hindered anyone for two hundred years and on all the opera stages in the world!

English

The Barber of Seville by Rossini, Céa 26 Noll 2018, Ó (2018/2019), Faoi stiúir Roman Polák,, Seoltóir Rastislav Stur, Slovak National Theatre Historical Building, Bratislava, Slovakia

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid