Organization

Lichtgestaltung

Johannes Grebing

Chordirektion

Hendrik Haas

Dramaturgie

Benjamin Künzel

Christian Stolz

Assistant director & evening director

Alma Gentile

Head of studies

Michael Weiger

Thomas-Michael Gribow

Musical rehearsal

Vincenzo De Lucia

Eunyoung Lee

Giovanni Piana

Dirigat

Levente Török

Felix Bender

Sänger

Tenor

Joshua Spink

Der Graf Almaviva

Mezzosopran

Maryna Zubko

Rosina

Bariton

Dae-Hee Shin

Figaro

Bass

Daniele Macciantelli

Don Basilio

Sopran

Eleonora Halbert

Berta

Dong-Jin Choi

Ein Offizier

Martin Gäbler

Doktor Bartolo

Milcho Borovinov

Ulm Theater

Orchestra

Philharmonische Orchester der Stadt Ulm

Others

Mitglieder des Opernchores des Theaters Ulm

Il barbiere di Siviglia -  (Der Barbier von Sevilla)

Deutschland

Theater Ulm

Großes Haus

Il barbiere di Siviglia Rossini

Public

Der Barbier von Sevilla

Genehmigt

»Levente Török, die Philharmoniker und ein wunderbares Rossini-Ensemble, das auch weit größeren Häusern zur Ehre gereichte, begeisterten schnell das Publikum.«
Jürgen Kanold // Südwestpresse
Der 1. Kapellmeister Levente Török lädt Sie herzlich zur konzertanten Aufführung von IL BARBIERE DI SIVIGLIA ein! Die nächste Vorstellung findet am 31.03. statt.

Cordial invitation!

Count Almaviva has his eye on the pretty and not exactly poor Rosina. However, she is watched over like an eagle by her guardian Bartolo. Only the witty Figaro in combination with the obtuse singing teacher Basilio can help. In a turbulent game of appearances and reality, truth and twisted reality, there is flirting and cooing until the beams bend. And the magical, absurdly chaotic music with its wide arc of melody, vocal artistry and rhythmic pull draws you into its spell without asking.

Rossini's "Il barbiere di Siviglia" borders on the unbelievable several times: since its premiere in 1816, the opera has not only been one of the most successful and popular operas of all, it was also composed in just 11 days - Rossini was only 24 years old and had already written 17 other operas. Even if the audience in Rome in 1816 was still suspicious of Rossini’s “Barbiere” because the opera of the same name by the old master Giovanni Paisiello had previously been considered an indisputable hit with the audience, Rossini’s triumphal march in Italy could no longer be stopped after his “Barbiere di Siviglia” at the latest. And today, even those who don't like opera can sing along to Figaro's snappy »La-la-la-lera!«.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble