Organization

Cantante

Basso

Bruno Taddia

Don Bartolo

Direzione del coro

Guillaume Fauchère

Yong Kim

Un Ufficiale

Mimi

Benoît Andrieux

Un Notaro

Romain Guion

Ambrogio

Baritono

Henry Neill

Fiorello

Regia

Mariame Clément

Scenografia

Julia Hansen

Luci

François Thouret

Direzione d'orchestra

Sebastiano Rolli

Costumi

Tenore

Nico Darmanin

Il Conte d'Almaviva

Mezzosoprano

Patricia Nolz

Rosina

Gurgen Baveyan

Figaro

Dario Russo

Don Basilio

Soprano

Marion Lebègue

Berta

Opéra national de Lorraine

Others

Choeur de l'Opéra national de Lorraine

Orchestra

Orchestre de l'Opéra national de Lorraine

italiano

Il barbiere di Siviglia

Nancy

Francia

Public

francese

Approvato

Le Barbier de Séville, opéra en deux actes Créé au Teatro Argentina à Rome, le 20 février 1816 Coproduction Stadttheater…

In Seville, Figaro lends a hand to Count Almaviva, who is determined to win the hand of Rosina. To achieve their ends, the two accomplices devise a thousand tricks. Once they have seduced the beautiful girl, they must oust the elderly Doctor Bartolo, who jealously watches over his ward.

With The Barber of Seville, the young Gioacchino Rossini signs his seventeenth opera, composed in less than two weeks. This pinnacle of opera buffa propels us into the heart of a joyous collective hysteria. The fast-paced story abounds with delightful twists and turns.

First performed in Bern, Mariame Clément's production captures the work's irresistible frenzy. At the centre of the stage, a doll's house with a multitude of nooks and crannies is transformed at will, revealing the secrets of its inhabitants and visitors. And if you're allergic to the dentist's drill, beware, Bartolo is a dentist here!

To accompany the score's boisterous rhythm, conductor Sebastiano Rolli's enthusiasm is joined by the flamboyance and skill of a first-rate cast.

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble