Name: Il barbiere di Siviglia
Start: 2023-02-24T00:00:00.000Z
End: 2023-02-26T00:00:00.000Z
Location: Teatro Cervantes

Organization

Singer

Bass

Antonio Burgos

An officer

Conductor

Salvador Vázquez

Stage director

Giulio Ciabatti

Chorus master

María del Mar Muñoz Varo

Tenor

Pablo Martinez

The Count of Almaviva

Ricardo Seguel

Doctor Bartolo

Mezzo-soprano

Clara Mouriz

Rosina

Baritone

Javier Franco

Figaro

Javier Castañeda

Don Basilio

Josep-Ramon Olivé

Fiorello

Soprano

Mónica Campaña

Berta

Teatro Cervantes Malaga

Others

Coro De ópera De Málaga

Orchestra

Orquesta Filarmónica de Málaga

Il barbiere di Siviglia -  (The Barber of Seville)

Málaga

Spain

Teatro Cervantes

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

The complexity of Rossini’s masterpiece, opéra comique par excellence, goes far beyond its hilarity; its sophisticated mechanism is so well structured that it seems simple and natural. 
Written in a record thirteen days, as recognised by the author himself, with the original title of Almaviva, ossia l'Inutile precauzione (Almaviva or the useless precaution) to avoid the coincidence with the opera Il barbiere di Siviglia (Saint Petersburg, 1782) by Giovanni Paisiello, its premiere was a disaster. The second performance, however, was an absolute success. Although its predecessor prevailed for some time, only Rossini’s opera has withstood the test of time as part of the universal opera repertoire, and it is the most performed opera in history. Its magnificent numbers for ensembles, arias and orchestral effects constitute a true collection of paradigms full of ingenuity and creativity. The overture’s energetic, uplifting and funny character, which is often performed as a concert piece, prepares the audience psychologically for the atmosphere in which the opera unfolds. This vital and sophisticated music elevates to quintessence the astute, picaresque and iconic Figaro, the main character of BeauMarchais’ Andalusian trilogy, taken from the commedia dell´arte and effectively imbedded in the collective imagination.

English

La complejidad que nos ofrece la obra maestra de Rossini, ópera cómica por excelencia, va mucho más allá de su hilaridad. Su sofisticado mecanismo está tan bien engranado que nos parece natural y simple.
Escrita en el tiempo récord de trece días, según confesara el propio autor, y bajo el título inicial de Almaviva, ossia l'Inutile precauzione (Almaviva o la inútil precaución) para evitar la coincidencia con la ópera Il barbiere di Siviglia de Giovanni Paisiello (San Petersburgo, 1782), supuso un rotundo fracaso la noche de su estreno. En cambio, el éxito fue arrollador en la segunda representación. Aunque su predecesora en un pricipio prevaleció sobre ella, sólo la de Rossini ha soportado el paso del tiempo, es una de las obras permanentes del repertorio lírico universal y la ópera más representada de la historia. Sus magníficos números de conjunto, sus arias y sus efectos orquestales constituyen una verdadera colección de paradigmas de exhibición llenos de ingenio y creatividad. El carácter enérgico, alentador y jocoso de la obertura –interpretada con frecuencia como pieza de concierto– prepara psicológicamente al público para el ambiente en que se desarrolla toda la ópera. Y es esta música vital y sofisticada la que eleva a quintaesencia al astuto, pícaro e icónico personaje de Figaro, protagonista de la famosa trilogía de comedias de ambiente andaluz de Beaumarchais, extraído de la commedia dell´arte y eficazmente instalado en el imaginario colectivo.

español

The Barber of Seville by Rossini, ne 26 úno 2023, Od (2023/2023), Režie Giulio Ciabatti,, Dirigent Salvador Vázquez, Teatro Cervantes, Málaga, Spain

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény