Organization

Cantante

Basso

Roman Ulybin

Don Bartolo

Baritono

Andrej Baturkin

Fiorello

Tenore

Dmitry Nikanorov

Il Conte d'Almaviva

Dmitry Ulyanov

Don Basilio

Dmitry Kondratkov

Un Ufficiale

Mezzosoprano

Daria Terekhova

Rosina

Soprano

Veronika Viatkina

Berta

Direzione d'orchestra

Wolf Gorelik

Regia

Alexander Titel

Scenografia

Vladimir Arefiev

Costumi

Luci

Damir Ismagilov

Direzione del coro

Stanislav Lykov

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

italiano

Il barbiere di Siviglia

Mosca

Russia

Stanislavsky and Nemirovich-Danchenko Music Theater

Public

Approvato

The action of The Barber of Seville takes place ... Actually, it is not so important when and where. In Beaumarchais, the remarks indicate the “ancient Spanish costumes” of the characters, in Rossini the action is relegated to the 18th century, which for Beaumarchais was not “ancient”, but quite modern to him. In one of the famous performances of the Paris Opera, the story composed by Beaumarchais and Rossini is either about the Turks or about the Moors. In any case, the situations and characters are still the same: the cunning, adventurous commoner Figaro, the Count (we agree that there are counts in many countries today), an elderly man named Bartolo and his young pupil Rosina. The situations and characters are the main thing. It is also important that Gioacchino Rossini, who defined the genre of his opera as opera buffa, wrote a brilliant work full of energy, “typical”, but no less vital ups and downs from this, and his heroes, as well as the heroes of Beaumarchais (as you know, Figaro Beaumarchais completely copied from himself) are quite reliable.

English

Il barbiere di Siviglia by Rossini, Da (2022/2022), Diretto da Alexander Titel,, Direttore d'orchestra Wolf Gorelik, Stanislavsky and Nemirovich-Danchenko Music Theater, Mosca, Russia

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Programma, informazioni e sinossi

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