Organization

Landestheater Linz Musiktheater

Conductor

Claudio Novati

Stage director

Gregor Horres

Set designer

Elisabeth Pedross

Costume designer

Yvonne Forster

Chorus master

Elena Pierini

Dramaturge

Christoph Blitt

Assistant Conductor

Marc Reibel

Singer

Tenor

Seungjick Kim

The Count of Almaviva

Bass

Michael Wagner

Doctor Bartolo

Mezzo-soprano

Angela Simkin

Rosina

Baritone

Adam Kim

Figaro

Dominik Nekel

Don Basilio

Soprano

Gotho Griesmeier

Berta

Alexander York

Fiorello

Ambrogio

Ulf Bunde

An officer

Laurin Siebert

Orchestra

Bruckner Orchester Linz

Others

Choir of the Landestheater Linz

Statisterie des Landestheaters Linz

William Desbiens

Choreographer

Ilja van den Bosch

Marta Pluda

itāļu

Il barbiere di Siviglia -  (The Barber of Seville)

Linz

Austria

Musiktheater

Großer Saal

Il barbiere di Siviglia Rossini

Public

Private

The Barber of Seville

Santiago Martin Bermejo

vācu

Approved

The plot pattern is familiar: An elderly guardian who wants to enjoy the fortune and attractiveness of his young ward; the woman who is so distressed, but who loves a younger man; an intriguer who works for the guardian; and an active good spirit who in turn supports the lovers. In the end, however, the young couple find each other and the guardian loses out.

Countless comedies tell this story in ever new variations. One of the most original variations was written by the adventurer and scandalous writer Pierre Augustin Caron de Beaumarchais. His Barbier de Séville in turn inspired several composers to write an opera version. The most famous among them is Gioachino Rossini. With the sensual brilliance of his music, he was the congenial partner to turn the screw even further on the exuberant turbulence presented by the French author in his comedy. No wonder, then, that Rossini's Il barbiere di Siviglia is one of the most comical of the most popular operas.

English

Izrādes kredīti (Izpildītāji un radošā komanda )

Lomās

Radoša komanda

Ansamblis