Name: Il barbiere di Siviglia
Start: 2014-09-19T00:00:00.000Z
End: 2014-10-05T00:00:00.000Z
Location: Royal Opera House

Admin

Organization

Mezzo-soprano

Serena Malfi

Rosina

Tenor

Michele Angelini

The Count of Almaviva

Baritone

Lucas Meachem

Figaro

Bass

Alessandro Corbelli

Doctor Bartolo

Maurizio Muraro

Don Basilio

Soprano

Janis Kelly

Berta

Wyn Pencarreg

Fiorello

Donaldson Bell

An officer

Silent

Andrew Macnair

A notary

Conductor

Mark Elder

Stage director

Moshe Leiser

Patrice Caurier

Royal Opera House

Il barbiere di Siviglia -  (The Barber of Seville)

London

United Kingdom

The Barber of Seville

Approved

When Joyce DiDonato broke her leg performing Rosina on the opening night of Il barbiere di Siviglia in 2009, it didn't look likely she would be able to continue. However, she managed to perform the role in every performance from a wheelchair.
http://www.roh.org.uk/productions/il-...
 
http://www.roh.org.uk/people/joyce-di...
 
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The 23-year-old Gioachino Rossini completed his masterpiece Il barbiere di Siviglia incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. He drew on Pierre-Augustin Beaumarchais’ play Le Barbier de Seville – part of a dramatic trilogy that also inspired Mozart’s Le nozze di Figaro. The opera is characterized by youthful energy and bold wit: qualities brought to the fore in Moshe Leiser and Patrice Caurier’s colourful production.

Il barbiere di Siviglia has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro – an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria ‘Largo al factotum’ to the frenzy of the Act I finale, when the five principal voices pile on top of each other. Within a few decades of its 1816 premiere, Il barbiere di Siviglia had been toured round the world, reaching opera houses in New York, Buenos Aires, Trinidad and Ecuador. It has remained one of the most prominent and popular operas in the repertory.

Joyce DiDonato on performing with a broken leg in Il barbiere di Siviglia (The Royal Opera)

Creidmheasanna feidhmíochta (Foireann & Criú )

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