Name: Il barbiere di Siviglia
Start: 2015-02-16T00:00:00.000Z
End: 2015-03-06T00:00:00.000Z
Location: Bozar

Admin

Organization

Chanteur

Ténor

Topi Lehtipuu

Il conte d'Almaviva

Soprano

Mari Eriksmoen

Rosina

Baryton

Pietro Spagnoli

Bartolo

Andrè Schuen

Figaro

Fulvio Bettini

Basilio

Basse

Christoph Seidl

Un notaro

Direction d'orchestre

René Jacobs

Mise en scène

moshe leiser

Patrice Caurier

Décors

Christian Fenouillat

Costumes

Agostino Cavalca

Lumières

Christophe Forey

Erik Årman

Il giovinetto

Un alcade

Libretto

Giuseppe Petrosellini

MusikTheater an der Wien

Orchestra

Freiburger Barockorchester

italien

Il barbiere di Siviglia -  (Le Barbier de Séville)

Bruxelles

Belgique

Bozar

Salle Henry Le Boeuf

Le Barbier de Séville

allemand

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Direction de choeur

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Contre-ténor

Baryton-basse

Mezzo-soprano

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Il barbiere di Siviglia Paisiello

Pierre-Augustin Caron de Beaumarchais (1732-1799), court watchmaker, inventor, writer, diplomat and adventurer, offered Le barbier de Séville to the Comédiens of Italy as an opera libretto in 1772 . When they refused, he rewrote it into a play that celebrated a triumphant success in the Comédie-Française in 1775. Beaumarchais was so full of ideas for the fate of the characters around his jack of all trades Figaro that a whole trilogy was created, which exactly reflects the rapid development of social conditions in the last third of the 18th century. Giovanni Paisiello's setting of the first piece was commissioned by Catherine II in St. Petersburg in 1782 and quickly became extremely successful throughout Europe.

In Seville, Rosina is looked after in his house by her guardian Bartolo, because since the young woman is beautiful and rich, Bartolo wants to marry her. But Rosina has another admirer: a student, Lindoro, has been secretly courting her for some time. She likes the young man much better than her guardian. Lindoro is the disguised Count Almaviva, known as a seducer. This time, however, he is seriously in love, he wants to make Rosina his wife, even though she is a middle-class woman. He assures himself of the help of Figaro, who as a doctor, pharmacist and barber has free access to the Bartolos house. Bartolo, however, has heard that the notorious Almaviva is in town and correctly suspects that he might be targeting his ward. He tries to hasten the marriage, but Figaro and Almaviva devise counter-intrusions.

English

Le Barbier de Séville by Paisiello, mer. 18 févr. 2015, Du (2015/2015), Dirigé par moshe leiser, Patrice Caurier,, Chef d'orchestre René Jacobs, Bozar, Bruxelles, Belgique

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles