Organization

Stage director

Miklós-Gábor Kerényi

Conductor

Sándor Gyüdi

Tamás Pál

Set designer

Attila Kovacs

Singer

Tenor

György Hanczár

The Count of Almaviva

Péter Balczó

Mezzo-soprano

Éva Kovács

Rosina

Bass

András Kiss

Doctor Bartolo

Antal Cseh

Bence Pataki

Don Basilio

Tamás Altorjay

Soprano

Júlia Vajda

Berta

Milán Taletovics

An officer

Szeged National Theatre

Others

Choir of the Szeged National Theater

Orchestra

Szeged Symphony Orchestra

Ballet

Dance choir of the Szeged National Theater

Il barbiere di Siviglia -  (The Barber of Seville)

Szeged

Hungary

National Theatre

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

Approved

Rossini's The Barber of Seville, composed in 1816, is the best-known and most played piece in the genre of comedy. Beaumarchais built a comedy trilogy around Figaro, the cunning barber, Count Almaviva, and Susanna, the count’s love, later his wife. The first comedy has already won several operas in the previous four decades, but their success has been overshadowed by Rossini’s work.

The excellent comedy characters and the action, which creates amusing situations, praise Beaumarchais ’stage talent, and the genius of the witty, energetic music, otherwise composed in just two or three weeks, Rossini. After the memorable productions in Szeged in recent decades, the presentation, which is a collaboration between several theaters, is now being staged in a new translation. The co-production provides an opportunity for opera singers, who perform less frequently in Szeged, to appear in Szeged in addition to the popular members of the cast.

English

The Barber of Seville by Rossini, Alkaen (2017/2017), Ohjannut Miklós-Gábor Kerényi,, Musiikinjohto Sándor Gyüdi, Tamás Pál, National Theatre, Szeged, Hungary

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