Name: Il canto s'attrista, perche?
Start: 2020-05-08T00:00:00.000Z
End: 2020-05-31T00:00:00.000Z
Location: Oper Wuppertal

Organization

Singer

Soprano

Ralitsa Ralinova

Cassandra

Mezzo-soprano

Iris Marie Sojer

Clitemestra

Countertenor

Rupert Enticknap

Guardiano

Baritone

Simon Stricker

Agamemnon

Bass-baritone

Gerard Farreras

Araldo

Ja-Young Park

Soloquartett

Katharina Greiß

Marco Agostini

Javier Horacio Zapata Vera

Conductor

Johannes Pell

Stage director

Nigel Lowery

Set designer

Chorus master

Markus Baisch

Dramaturge

David Greiner

Costume designer

Stadttheater Klagenfurt

Wuppertaler Bühnen

Orchestra

Sinfonieorchester Wuppertal

Others

Opernchor der Wuppertaler Bühnen

Iodáilis

Il canto s'attrista, perche?

Wuppertal

Germany

Opernhaus

Il canto s'attrista, perche? Sciarrino

Public

Private

Gearmáinis

Approved

Oper Wuppertal

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

n this »missing link« between Christoph Willibald Gluck's Iphigenia operas and Richard Strauss' Elektra, the betrayed Klytämnestra finally has her say.

In Mycenae we learn of the return of King Agamemnon, who has conquered Troy after ten years of war and is now returning home with Cassandra as his slave and mistress. His wife Klytämnestra can neither forgive him for the sacrifice of her daughter Iphigenia nor for the present adultery and takes terrible revenge.

Salvatore Sciarrino – well known in Wuppertal after a number of premieres and world premieres over the past few decades, most recently ›La porta della legge‹ in 2009 – is one of the most important contemporary Italian composers and has been looking at major theatrical material from a different perspective for years. After versions of 'Macbeth' and 'Lohengrin' he now turns to ancient Greek literature: Aeschylus' 'Oresteia'.

English

Deutsch

Il canto s'attrista, perche? by Sciarrino, hAo 22 Beal 2020, Ó (2020/2020), Faoi stiúir Nigel Lowery,, Seoltóir Johannes Pell, Oper Wuppertal, Wuppertal, Germany

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Comhléiritheoir

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid