Name: Il tabarro
Start: 2016-03-09T00:00:00.000Z
End: 2016-04-24T00:00:00.000Z
Location: National Theatre

Admin

Organization

Śpiewak

Baryton

Vuk Zekić

Michele

Tenor

Nenad Čiča

Luigi

Mihailo Šljivić

Il Talpa

Sopran

Slađana Sarić

Giorgetta

Mezzosopran

Ljubica Vraneš

La Frugola

Slaven Čiča

Il Tinca

Dyrygent

Zorica Mitev-Vojnović

Reżyseria

Dejan Miladinović

Kostiumy

Katarina Grčić Nikolić

Scenografia

Aleksandar Zlatović

National Theatre Belgrade

Others

National Theatre Opera Chorus

Orchestra

Orchestra of the National Theatre Opera

Il tabarro -  (Plaszcz)

Belgrad

Serbia

National Theatre

Il tabarro Puccini

Public

Plaszcz

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Bas - baryton

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Puccini is the greatest opera master after Verdi. In his works, he gives verismo a new direction and new content. Although the brutal verismo of the executioner's knife, the West American gallows and the military platoon (Tosca, The Girl from the West) determine the character and level of some of his works, the others (Cloak, Sister Angelica and Gianni Skiki) are reminiscent of the concentrated drama of the first of Italian verists, Puccini in his other works (Bohemia, Manon Lescaut) is reminiscent of French opera lyrics, or goes his own exotic way (Madame Butterfly, Turandot) .... Puccini was explicit for a time, the Triptych is one whole, so one play , and always had to be shown in its entirety. Luigi Ritchie claims that after a play in Florence in 1920, Puccini still saw that he was so old, the Triptych was terribly long and tiring, with breaks, almost four hours. "I'm tired, too, who am the author," and he allowed it to be shared. After that, Skiki went everywhere alone, with Cavalry or Clowns. And in London with Salome! Later, the Cloak began to experience satisfaction, conquering with its atmosphere on the river Seine and exceptional drama. Only Sister Angelica remained the festival opera, that is, the one that is sometimes given, although Sartori claims that it is the best, which was Puccini's opinion.

English

Plaszcz by Puccini, śr 09 mar 2016, od (2016/2016), W reżyserii Dejan Miladinović,, Dyrygent Zorica Mitev-Vojnović, National Theatre, Belgrad, Serbia

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca