Name: Iolanta
Start: 2024-01-05T00:00:00.000Z
End: 2024-01-05T00:00:00.000Z
Location: Mikhailovsky Theater

Admin

Mikhailovsky Theatre

Conductor

Alexander Soloviev

Stage director

Sergey Shepelyov

Set designer

Vyacheslav Okunev

Costume designer

Lighting designer

Mikhail Mekler

Chorus master

Vladimir Stolpovskikh

Pianist

Maria Kopyseva

Alexey Dmitriev

Sergey Tsyplenkov

Singer

Soprano

Alexandra Sennikova

Iolanta

Tenor

Fyodor Ataskevich

Count Vaudemont

Bass

Andrey Zemskov

Rene

Baritone

Alexander Shakhov

Robert

Dmitry Darov

Ibn-Hakia

Orchestra

Mikhailovsky Theatre Orchestra

Rúisis

Saint Petersburg

Russia

Mikhailovsky Theater

Public

Private

Paul Koneri

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Iolanta: Iolanta, op. 69 Tchaikovsky, P. I.

Premiere of the production: 14 July 2005

Pyotr Tchaikovsky found the inspiration for his last opera in a tale of medieval France. Iolanta, the daughter of King René, has been blind since birth, but is unaware of her misfortune. Cradled in loving care, she lives a quiet, happy life, in ignorance of her blindness, until a young knight happens to enter her home.

In a very literal sense, the opera celebrates love and its curative powers. Indeed, it is only after she falls in love, experiences spiritual pain, and overcomes her fear, that Iolanta is able to see. In the finale, the choir extols the universe, the light of reason, morality, and purity. The production is bathed in light, which heightens its delicate musical lyricism and reinforces the story’s main theme of the victory of light over darkness.

English

Премьера постановки в Михайловском театре: 14 июля 2005 года

Свою последнюю оперу Петр Ильич Чайковский создал, вдохновившись средневековой французской легендой. Иоланта, дочь короля Рене, слепа от рождения, но не знает о своем недуге. Окруженная заботой, она живет спокойно и счастливо в своём неведении, пока в замок случайно не попадает молодой рыцарь.

Опера в буквальном смысле воспевает любовь и ее целительную силу. Ведь только полюбив, испытав душевную боль и преодолев страх, Иоланта прозревает. Финальный хор прославляет мироздание, свет разума, нравственность и чистоту. Постановка насыщена цветом, который оттеняет тонкую лирику музыки и поддерживает главную идею победы света над тьмой.

русский

Iolanta by Tchaikovsky, P. I., hAo 05 Eaná 2024, Ó (2024/2024), Faoi stiúir Sergey Shepelyov,, Seoltóir Alexander Soloviev, Mikhailovsky Theater, Saint Petersburg, Russia

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid