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Hungarian State Opera

Tenore

Zoltán Nyári

István

Mezzosoprano (+6)

Andrea Meláth

Sarolt

Direttore d'orchestra

Direttore d'orchestra (+1)

István Silló

Regia

Miklós Szinetár

Scenografia

Scenografia (+2)

Balázs Horesnyi

Costumi

Costumi (+1)

Rita Velich

Coreografia

Bertalan Vári

Drammaturgo

Drammaturgo (+2)

Eszter Orbán

Traduzione

Traduzione (+2)

Arthur Roger Crane

Direzione del coro

Direttore (+5)

Nikolett Hajzer

Direzione del coro (+7)

Gábor Csiki

Orchestra

Hungarian State Opera Orchestra

Soprano (+3)

Rita Rácz

Gizella

Baritono (+3)

András Káldi Kiss

Asztrik

Basso-baritono (+3)

Attila Dobak

Vecellin

Basso-baritono (+2)

Antal Cseh

Koppány

Tenore (+1)

Péter Balczó

Torda

Tenore (+2)

János Szemenyei

Laborc

Mezzosoprano (+2)

Melinda Heiter

Réka

János Szerekován

Bese

Basso (+3)

András Kőrösi

Benjámin Beeri

First bard

Tenore (+3)

Gergely Ujvári

Second bard

Soprano (+4)

Lusine Sahakyan

Saman woman

Orsolya Bagosi

Boglárka

Soprano

Enikő Mentes-Soós

Enikő

Basso (+1)

Péter Fried

Gyászoló

Baritono (+4)

Dávid Tarnai

Pázmány

Zoltán Bátki Fazekas

First Narrator

Second Narrator

Eiffel Art Studios

Gabriella Rea Fenyvesi

Picur

Voce bianca (+4)

Vivienne Ortan

Pál Botond

Solt

Márió Matyó

Hont

Chorus

Choir of the Hungarian State Opera

Children's Choir of the Hungarian State Opera House

Ballet

Hungarian National Ballet

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives. The poems for Levente Szörényi, who approached one of the fundamental stories in Hungarian history through Miklos Boldizsar’s play titled Ezredforduló (Turn of the Millennium), was written by his old co-author János Bródy. The Hungarian State Opera production staged the work with operatic instrumentation and opera singers in 2020. Thanks to the entirely symphonic score by composer Levente Gyöngyösi and the opera singers participating in the production, the work completely sheds the need for amplification, allowing new treasures to be discovered in the interpretation of Miklós Szinetár,  the doyen of Hungarian directors.

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