The Jacobin by Dvořák, Ħad 13 Fra 2022, Minn (2020/2022), Immexxi minn Jiří Heřman, Surmast Direttur Zbyněk Müller, David Švec, Národní divadlo (National Theatre), Prague, Czech Republic

At the end of the 18th century, Bohuš, a count’s son, who at one time was hounded out by his father owing to his liberalism, returns from Paris to his native small town in Bohemia. Yet before he is allowed to reconcile, he and his wife are caught up in a slew of provincial intrigues which the locals direct both at themselves and – because of his being suspected of “Jacobinism” – against the couple. The opera features a number of stock and popular dramatic types – the happily amorous Jiří and Terinka, between whom the arrogant burgrave Filip wants to drive a wedge; the count’s power-hungry nephew Adolf; as well as the good-natured teacher Benda. The scene at the school during which Benda is rehearsing with the children a festive cantata in honour of the new master is one of the most remarkable in Czech opera. As in many other similarly tuned Czech dramatic works, here too all the accumulated conflicts are resolved amicably. Besides the traditional title of the opera, The Jacobin, the stage director Jiří Heřman foregrounds the libretto’s lesser-known original name, Mother’s Song, which actually far more appositely indicates that which Dvořák’s opera is all about – tenderness, noble-mindedness, loving care, and the ability of music to soften even the most hardened of hearts.