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Jakobín - (The Jacobin) Antonín Dvořák, National Theatre Prague

Jakobín (The Jacobin), Dvořák
Comhroinn
National Theatre Prague (2020/22)
Starring:
František Zahradníček,
Jiří Sulženko,
Roman Janál,
Svatopluk Sem,
Jiří Hájek,
Jiří Brückler,
Dana Burešová,
Maria Kobielska,
Viktorie Siberová,
Zdeněk Plech,
Pavel Švingr,
Aleš Briscein,
Martin Šrejma,
Jaroslav Březina,
Jan Ježek,
Jana Sibera,
Kateřina Kněžíková,
Lenka Šmídová,
Yvona Škvárová
18 Deaireadh Fómhair - 17 Aibreán 2020/22 (10 feidhmíochtaí)
Tabhair cuairt ar Suíomh Gréasáin
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Seicis
Národní divadlo (National Theatre), Prague, Czech Republic
Faisnéis ón eagraíocht ealaíon (Fíoraithe ag Operabase)

The Jacobin by Dvořák, Dom 17 Aibr 2022, Ó (2020/2022), Faoi stiúir Jiří Heřman, Seoltóir Zbyněk Müller, David Švec, Národní divadlo (National Theatre), Prague, Czech Republic

Creidmheasanna feidhmíochta (Foireann & Criú )

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Amharc ar Theilgthe agus ar Chriú le haghaidh 17 Aibr 2022

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

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Clár

1

Jakobín (The Jacobin), Dvořák
Opera
At the end of the 18th century, Bohuš, a count’s son, who at one time was hounded out by his father owing to his liberalism, returns from Paris to his native small town in Bohemia. Yet before he is allowed to reconcile, he and his wife are caught up in a slew of provincial intrigues which the locals direct both at themselves and – because of his being suspected of “Jacobinism” – against the couple. The opera features a number of stock and popular dramatic types – the happily amorous Jiří and Terinka, between whom the arrogant burgrave Filip wants to drive a wedge; the count’s power-hungry nephew Adolf; as well as the good-natured teacher Benda. The scene at the school during which Benda is rehearsing with the children a festive cantata in honour of the new master is one of the most remarkable in Czech opera. As in many other similarly tuned Czech dramatic works, here too all the accumulated conflicts are resolved amicably. Besides the traditional title of the opera, The Jacobin, the stage director Jiří Heřman foregrounds the libretto’s lesser-known original name, Mother’s Song, which actually far more appositely indicates that which Dvořák’s opera is all about – tenderness, noble-mindedness, loving care, and the ability of music to soften even the most hardened of hearts.
Tá eolas ar fáil i: English

Grianghraif

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Tuilleadh eolais faoin gcumadóir
Tuilleadh eolais faoi obair cheoil

Dátaí & Ionaid Feidhmíochta

10
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