Name: James Gaffigan
Start: 2022-11-05T00:00:00.000Z
End: 2022-11-05T00:00:00.000Z
Location: Isarphilharmonie

Organization

Admin

Symphonieorchester des Bayerischen Rundfunks

Conductor

James Gaffigan

Orchestra

Instrumentalist

Ramón Ortega Quero

Oboe

Mor Biron

Bassoon

Radoslaw Szulc

Violin

Giorgi Kharadze

Cello

Munich

Germany

Isarphilharmonie

James Gaffigan: Sinfonia concertante in B-flat major, Hob.I:105 Haydn (+1 More)

Public

Sinfonia concertante in B-flat Major, Hob.I:105

Symphony No. 5 in C-Sharp Minor

Paul Koneri

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Baritone

Bass

Countertenor

Soprano

Mezzo-soprano

Contralto

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

“My Fifth Symphony is an accursed creation. No one understands it.” Only after Mahler’s death did the initial incomprehension change to admiration for this forward-looking piece. Yearning for death and affirmation of life, Weltschmerz and fulfilment, sorrow and joy: all lie side-by-side in this symphony, as so often in Mahler. It opens with a funeral march, its centre is a Ländler followed by a musical declaration of love, and it ends in an apotheosis. James Gaffigan precedes Mahler’s trailblazing sonic universe with Haydn’s Sinfonia concertante, a work no less modern for its own era. By having four solo instruments (oboe, bassoon, violin and cello) stand out from the orchestral tutti, Haydn situates the piece between an instrumental concerto and a symphony – a welcome task for soloists from the ranks of the orchestra.

English

»Meine 5. Sinfonie ist ein verfluchtes Werk. Niemand capiert sie.« Erst nach Mahlers Tod wandelte sich das anfängliche Unverständnis in Bewunderung für die zukunftsweisende Komposition. Todessehnsucht und Lebensbejahung, Weltschmerz und Erfüllung, Leid und Freude liegen in dieser Symphonie, wie so oft bei Mahler, eng beieinander. Am Anfang steht ein Trauermarsch, in der Mitte ein Ländler, gefolgt von einer musikalischen Liebeserklärung, und am Ende die Apotheose. James Gaffigan stellt der bahnbrechenden Mahler’schen Klangwelt mit der Sinfonia concertante von Haydn ein Werk voran, das für seine Zeit ebenfalls modern war. Indem Haydn hier vier Solostimmen (Oboe, Fagott, Violine, Cello) aus dem Orchestertutti heraushebt, bewegt sich das Stück zwischen Instrumentalkonzert und Symphonie – auch für die Solist*innen aus den Reihen des Orchesters eine willkommene Aufgabe.

Deutsch

James Gaffigan by Haydn, Mahler, No (2022/2022), Diriģents James Gaffigan, Isarphilharmonie, Munich, Germany

Izrādes kredīti (Izpildītāji un radošā komanda )

Instrumentācija

Ansamblis

Programma, Informācija un Apraksts

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