Name: Janine Jansen, B. Brovtsyn, C. Kang, S. Waarts, G. Lubbe, T. Ridout, D. Blendulf, P. Ferrández & D. Kozhukhin
Start: 2024-08-28T00:00:00.000Z
End: 2024-08-28T00:00:00.000Z
Location: Théâtre de Valère

Organization

Admin

Sion Festival

Strumento

Janine Jansen

Violino

Boris Brovtsyn

Clara-Jumi Kang

Stephen Waarts

Denis Kozhukin

Pianoforte

Gareth Lubbe

Viola

Timothy Ridout

Daniel Blendulf

Violoncello

Pablo Ferrández

Violin I

Violin II

Violin III

Violin IV

Viola I

Viola II

Cello I

Cello II

Janine Jansen, B. Brovtsyn, C. Kang, S. Waarts, G. Lubbe, T. Ridout, D. Blendulf, P. Ferrández & D. Kozhukhin

Sion

Svizzera

Théâtre de Valère

Public

concert form

Concerto

Violin Sonata, FP 119

Tema e variazioni

Elegiac poem for solo violin, string quartet and piano, Op. 95

String Octet in C Major, op. 7

Paul Koneri

Approvato

Janine Jansen, B. Brovtsyn, C. Kang, S. Waarts, G. Lubbe, T. Ridout, D. Blendulf, P. Ferrández & D. Kozhukhin: Violin Sonata, FP 119 Poulenc (+3 More)

The violin takes centre stage in this concert featuring a Swiss premiere and several emblematic works from the twentieth-century repertoire! Written for Janine Jansen in 2023, the Poème élégiaque Op. 95 by Swiss composer Richard Dubugnon will be performed for the first time in Switzerland. Janine Jansen, surrounded by her colleagues, will introduce us to this heir to Ravel, Debussy and Messiaen, whose singular language captivates us with its blend of tradition and innovation.

 

Three masterpieces from the twentieth-century chamber music repertoire will resonate with this premiere. Francis Poulenc’s Sonata for violin and piano, composed during the Second World War, reflects all the sensitivity of its performers. A perfect balance is struck between profound emotional expression and great technical virtuosity. Olivier Messiaen’s Variations for violin and piano are also immensely expressive. Messiaen’s innovative use of sound colours and textures takes us into a bewitching and mystical atmosphere. Finally, the immense String Octet Op. 7, composed in 1900 by a 19-year-old Enescu, is a veritable architectural feat. Like an arch, four sections join to form a single large movement in sonata form. This is a work of great expressive intensity and innovative sonorities.

 

Modernism, expressiveness and virtuosity are on the programme for this concert exploring the twentieth and twenty-first centuries.

English

Janine Jansen, B. Brovtsyn, C. Kang, S. Waarts, G. Lubbe, T. Ridout, D. Blendulf, P. Ferrández & D. Kozhukhin by Poulenc, Messiaen, Dubugnon, Enescu, Da (2024/2024), Théâtre de Valère, Sion, Svizzera

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