Name: Jordan, Urmana, Bretz, Aimard Beethoven, Bartók
Start: 2016-05-11T00:00:00.000Z
End: 2016-05-13T00:00:00.000Z
Location: Musikverein

Admin

Vienna Symphony Orchestra

Musikverein

Direzione d'orchestra

Philippe Jordan

Orchestra

Strumento

Pierre-Laurent Aimard

Piano

Basso-baritono

Gábor Bretz

Il duca Barbablù

Soprano

Violeta Urmana

Judith

Jordan, Urmana, Bretz, Aimard / Beethoven, Bartók

Vienna

Austria

Großer Saal

Public

concert form

Concerto

Concerto per pianoforte n. 2 in si bemolle maggiore, op. 19

Il castello del principe Barbablù

Teja Boyidi

Approvato

Basso

Instrumentalist

Pianoforte

Violinista

Cellist

Violista

Suonatore di flauto

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composizione

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Sound designer

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Controtenore

Tenore

Mezzosoprano

Baritono

Verbale

Voce bianca

Silenzioso

Alto

Continuo

Das finale Programm des saisonalenn Dialogs zwischen Beethovens Klavierkonzerten und Béla Bartóks Orchesterwerken stellt zweifellos auch einen der künstlerischen Höhepunkte der gesamten Spielzeit dar. Am Beginn des Programms steht das Zweite Klavierkonzert, chronologisch eigentlich die Nr. 1 und überhaupt das erste größere Orchesterwerk Beethovens. Im Ausdruck noch am Vorbild Haydn und Mozart orientiert, offenbart es durch plötzliche, unerwartete harmonische Wendungen doch schon den Innovationsgeist des Komponisten. Die zweite Hälfte des Programms gehört dann Bartóks einziger Oper. In Herzog Blaubarts Burg verbirgt sich hinter sieben verbotenen Türen ein düsteres Geheimnis, dessen Ergründung einer jungen Frau zum Verhängnis wird. Vertont entlang der ungarischen Sprache, nutzte Bartók diese Entdeckungsreise, um durch die intensive Beschäftigung mit der ungarischen Volks- und Bauernmusik eine neuartige und einzigartige Musiksprache zu entwickeln.

Deutsch

The finale to this season's dialogue between Beethoven's piano concertos and Béla Bartók's orchestral works is undoubtedly one of the artistic high points of the entire season. Opening the programme is the Second Piano Concerto, chronologically actually No. 1 and Beethoven's first large orchestral work in any genre. Still oriented in its expression towards Haydn and Mozart, it reveals the composer's spirit of innovation through sudden, unexpected harmonic shifts. The second half of the concert belongs to Bartók's only opera. In Bluebeard's Castle, a murky secret lies hidden behind seven locked doors and uncovering this secret will be a young woman's undoing. Composed for the Hungarian language, Bartók used this journey of discovery to work intensively with Hungarian folk and peasant music, in the process developing a new and unique musical language.

English

Jordan, Urmana, Bretz, Aimard / Beethoven, Bartók by Beethoven, Bartók, Da (2016/2016), Direttore d'orchestra Philippe Jordan, Musikverein, Vienna, Austria

Crediti di rappresentazione (Cast e team di produzione )

Strumentazione

Ensemble

Programma, informazioni e sinossi

Ulteriori letture

Date e sedi delle rappresentazioni

Sedi