Organization

Conductor

Lutz Rademacher

Stage director

Schorsch Kamerun

Set designer

Katja Eichbaum

Costume designer

Gloria Brillowska

Lighting designer

Christian Kemmetmüller

Video designer

Michael Dreyer

Chorus master

Alice Meregaglia

Sound designer

PC Nackt

Singer

Spoken

Guido Gallmann

King Arthur

Mathieu Svetchine

Oswald

Christian Freund

Merlin

Osmond

Annemaaike Bakker

Emmeline

Soprano

Karin Enzler

Philidels Geist

Marysol Schalit

Cupid

Mezzo-soprano

Nadine Lehner

mezzo-soprano

Bass

Christoph Heinrich

Genius

Tenor

Hyojong Kim

British Warrior

Ian Spinetti

Grimbald

1. Priest

Second Saxon Priest

Ulrike Mayer

Theater Bremen

angļu

vācu

Bremen

Germany

Theater am Goetheplatz

Public

Approved

It is a coming together of different worlds: baroque meets punk and pop culture, the drama and music theater ensemble meets young performers from Bremen. Schorsch Kamerun, director and singer with the "Golden Lemons", titles Purcell's "King Arthur" and, together with conductor Lutz Rademacher, musician PC Nackt and numerous comrades-in-arms, creates a multi-layered collage about questions of power. It is a contemporary music-theatrical hidden object based on the old "King Arthur" story: Britons against Saxony, King Arthur against King Oswald. Then as now, solitary rulers who, by claiming possible horror scenarios, legitimize every conceivable measure to secure power or even wage ruthless war. At their side are magicians and spin doctors who use truths and untruths, as well as other spirits, both good and evil, who switch camps with a view to advantage. In this poisoned din of interest, the blind Emmeline sees and recognizes a world full of narcissism, lust, calculation and in the process becomes the vulnerable but cleverly acting fulcrum of another barbaric battle. Together with the air spirit Philidel, she searches for alternatives to a different connection.

English

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Lomās

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