Name: Klaus Mäkelä Truls Mørk
Start: 2024-01-18T00:00:00.000Z
End: 2024-01-19T00:00:00.000Z
Location: Konserthus

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Oslo Philharmonic

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Klaus Mäkelä

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Truls Mørk

Cello

Klaus Mäkelä Truls Mørk

Oslo

Norway

Konserthus

Klaus Mäkelä Truls Mørk: The Storm, op. 76 Tchaikovsky, P. I. (+2 More)

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The Storm, op. 76

Tout un monde lointain

Scheherazade Op. 35

Sharan Allad

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Havet bølger i bakgrunnen av alle de tre verkene på denne konserten: Pjotr Tsjajkovskijs Stormen, Henri Dutilleux’ Cellokonsert og Nikolaj Rimskij-Korsakovs Scheherazade. Truls Mørk er cellosolist og Klaus Mäkelä dirigerer.

Stormen er et av William Shakespeares mest særegne skuespill. Pjotr Tsjajkovskij (1840–1893) begynte å skrive musikk til historien i 1873 etter et forslag fra sin mentor Vladimir Stasov – siden skrev han musikk også til Romeo og Julie og Hamlet. “Må det være en storm i Stormen?” spurte komponisten Stasov i et brev – han var mer opptatt av kjærlighetshistorien mellom Miranda og Ferdinand. Konklusjonen ble ja, men Tsjajkovskijs orkesterverk hadde plass til både storm og kjærlighet, og til både stille og opprørt hav.

På 1960-tallet ble Henri Dutilleux (1916–2013) spurt om å skrive musikk til 100-årsmarkeringen av Charles Baudelaires død. Det ble ikke noe av, men han ble svært fascinert av dikterens hovedverk Les Fleurs du mal (“Ondskapens blomster”). Diktsamlingen ble grunnlaget for cellokonserten Tout un monde lointain… (“En helt fjern verden”) fra 1970. Hver av de fem satsene tar som utgangspunkt sitater fra Les Fleurs du mal. Tredjesatsens beskrivelse av et sjølandskap kan sende tankene til Claude Debussys musikk om havet.

Nikolaj Rimskij-Korsakov (1844–1908) jobbet i mange år i Den russiske marinen, og på 1860-tallet seilte han jorden rundt i tre år. Hans orkesterverk Scheherazade fra 1888 begynner med en storslått beskrivelse av havet i satsen Havet og Sinbads skip. Sinbad sjøfareren er helten i mange av fortellingene i 1001 natt. Rimskij-Korsakovs musikk beskriver ikke konkrete historier fra samlingen, men kretser rundt rammefortellingen, der den unge kvinnen Scheherazade hver natt forteller historier til den onde kongen for å ikke bli drept.

norsk

The sea is waving in the background of all three works at this concert: Pyotr Tchaikovsky's The Storm, Henri Dutilleux's Cello Concerto, and Nikolai Rimsky-Korsakovs Scheherazade. Truls Mørk is the cello soloist, and Klaus Mäkelä is conducting.

The Storm is one of Williams Shakespeare's most distinctive plays and has inspired a long line of composers. Pyotr Tchaikovsky set about the task in 1873 after a suggestion from his mentor Vladimir Stasov - he also wrote music for Romeo and Juliet and Hamlet later. «Does it have to be a storm in The Storm?» asked the composer Stasov in a letter – he was more concerned with the love story between Miranda and Ferdinand. The answer he got was yes, but Tchaikovsky's orchestral piece had room for both storm and love and for the quiet and angry ocean. 

In the 1960s, Henri Dutilleux (1916-2013) was asked to write music for the 100th anniversary of Charles Baudelaire's death. Nothing came of it, but he was fascinated by the poet's masterpiece Les Fleurs du mal ("Flowers of evil"). The collection of poems became the foundation for the cello concerto Tour un monde lointain... ("A remote world") from 1970. Each of the five movements takes quotations from Les Fleurs du mal as its starting point. The third movement's description of a seascape may bring to mind Claude Debussy's music about the ocean.

Nikolai Rimsky-Korsakov (1844-1908) worked in the Russian Navy for many years and sailed around the earth for three years in the 1860s. His orchestral piece Scheherazade from 1888 starts with a grandiose description of the sea in the movement The Sea and Sinbad's Ship. Sinbad the sailor is the hero of many stories in One Thousand and One Nights. Rimsky-Korsakov's music does not describe specific stories from the collection. However, it revolves around the framework narrative, where the young woman Scheherazade tells stories to the evil king every night in order not to be killed.

English

Klaus Mäkelä Truls Mørk by Tchaikovsky, P. I., Dutilleux, Rimsky-Korsakov, Alkaen (2024/2024), Musiikinjohto Klaus Mäkelä, Konserthus, Oslo, Norway

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