Name: Knyaz Igor
Start: 2022-02-26T00:00:00.000Z
End: 2022-05-07T00:00:00.000Z
Location: Rostov State Musical Theatre

Organization

Baryton

Vasily Sviatkin

Prince Igor

Ténor

Ivan Volkov

Vladimir Igorevich

Rôle muet

Alexander Yelenik

Gzak

Direction d'orchestre

Alexey Shakuro

Valery Voronin

Mikhail Pabuzin

Mise en scène

Vyacheslav Kushchev

Yuri Alexandrov

Direction de choeur

Elena Klinicheva

Décors

Vyacheslav Okunev

Chorégraphie

Юрий Клевцов

Lumières

Irina Vtornikova

Svetlana Guseva

Plastic Director

Irina Sharonova

Responsible accompanist

Svetlana Antonov

Tatiana Savchenkova

Pyotr Makarov

Soprano

Ekaterina Krasnova

Yaroslavna

Basse

Valeriy Khraponov

Skula

Gennady Verkhogliad

Yeroshka

Yuri Kozhurin

Ovlur

Boris Gusev

Konchak

Contralto

Evgenia Dolgopolova

Konchakovna

Anastasia Ovchinnikova

Une jeune fille Polovtsienne

Tatyana Azanova

Nourrice de Yaroslavna

Rostov State Musical Theatre

Knyaz Igor -  (Le Prince Igor)

Rostov-sur-le-Don

Russie

Main stage

Knyaz Igor Borodin

Public

Le Prince Igor

Valide

Instrumentalist

Piano

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Livret

Costumes

Danse

Acteur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contre-ténor

Baryton-basse

Mezzo-soprano

Parlé

Voix d'enfant

Alto

Continuo

Give your men an impression - a visit to the theater! In honor of Defender of the Fatherland Day! The most heroic opera written by a chemist for real men!

On April 18, 1869, at a musical evening with L. I. Shestakova, V. V. Stasov proposed to the composer "The Lay of Igor's Campaign" as an opera plot. A.P. Borodin set to work with interest, visited the vicinity of Putivl, studied historical and musical sources associated with the described time.

The opera was written for eighteen years, but in 1887 the composer died and the opera remained unfinished. According to A.P. Borodin's notes, the work was completed by Alexander Konstantinovich Glazunov and Nikolai Andreevich Rimsky-Korsakov. It is believed that Glazunov restored from memory the overture, which he heard in the author's performance on the piano (he himself refuted this legend on the pages of the Russian Musical Newspaper) [1]. He also composed and orchestrated the third act almost entirely. N. A. Rimsky-Korsakov orchestrated the prologue, acts one, two and four and the Polovtsian march.

Borodin, Rimsky-Korsakov and, possibly, also A.K. Lyadov together orchestrated a suite of "Polovtsian dances" in the second act, which gained immense popularity. Continuing the traditions of Glinka's opera A Life for the Tsar, the event development in the storyline of the opera Prince Igor reflects the grandeur of the folk scenes with the powerful sound of the chorus, and at the same time, the extraordinary beauty arias of the heroes: Yaroslavna, Konchakovna, Vladimir and a Polovetskaya girl.

Alexander Porfirevich Borodin managed to orchestrate part of the prologue (everything except Scene of the Eclipse), the recitative and aria of Prince Vladimir Galitsky (Scene I of Act I), Yaroslavna's aria and her scene with girls (Scene II of Act I, 1879), Konchakovna's cavatina (II act, 1869), recitative and cavatina of Prince Vladimir (act II), Konchak's aria (act II), Yaroslavna's lamentation (act IV, 1875), folk choir (act IV, 1879) and the final scene of act IV - score for orchestra with participation tenor Eroshka, bass Skula and chorus.

The trio of Igor, Vladimir, Konchakovna and the finale of the third act with the chorus, Konchakovna and Konchak were written by Borodin and completed by Glazunov, who subsequently orchestrated them in 1888.

Rimsky-Korsakov and Glazunov themselves wrote the scene of Act II, with the participation of Konchakovna and the choir in 1887.

The composers were friendly and worked in a close circle, therefore the musical style of the opera represents artistic integrity. Despite the fact that Glazunov and Rimsky-Korsakov orchestrated most of the music (some of which was not recorded at all), the latter insisted that "Prince Igor" is entirely an opera by Alexander Porfirievich Borodin "- from the book by A. Maikapar [2] [ 3] How fair this is can be judged by comparing the edition of Rimsky-Korsakov and Glazunov with the recently published author's edition of the opera [4].

The premiere of the opera took place with great success on October 23 (November 4), 1890 in St. Petersburg at the Mariinsky Theater.

There is an opinion in the press [5] (based on the work of Pavel Alexandrovich Lamm on the reconstruction of the author's version of the opera) that the incompleteness of Prince Igor is largely a legend and that instead of just orchestrating part of the numbers, Rimsky-Korsakov and Glazunov preferred anew rewrite most of the music, absolutely complete by the author.

English

Le Prince Igor by Borodin, sam. 07 mai 2022, Du (2022/2022), Dirigé par Vyacheslav Kushchev, Yuri Alexandrov, Svetlana Guseva,, Chef d'orchestre Alexey Shakuro, Valery Voronin, Mikhail Pabuzin, Rostov State Musical Theatre, Rostov-sur-le-Don, Russie

Crédits de représentation (Distribution et équipe de production )

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles