Organization

Varaždin Baroque Evening Festival

Sopran

Teresa Duarte

Koncert uz baroknu kavu

Varaždin

Kroatien

Koncert uz baroknu kavu: Concert

Public

Konzert

Genehmigt

Bass

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Dirigat

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Mezzosopran

Bass-Bariton

Tenor

Bariton

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Teresa Duarteshe started her musical education at the age of seven in her native Lisbon, learning the cello. She completed her singing studies at the High School of Music in Lisbon and at the Conservatory in Amsterdam. She also completed a master's degree in music pedagogy at the High School of Music in Lisbon. During her studies, she studied with Armando Possante, Sílvia Mateus, Luís Madureiro, Ana Paula Russo, Harry van Berne, Pierre Mak, Sasja Hunnego, Lúcia Lemos and Manuel de Sá. She trained with Jill Feldman, Isabel Alcobia, Susan Waters, Ira Siffa, Margreet Honig, Ann Murray, Gabriela Fontana and Sandy Oliver. In Amsterdam she worked with directors such as Floris Visser, Gusta Teengs Gerritsen and Corina van Eijk. She collaborated with Capella Sanctae Crucis, La Academia de los Nocturnos, Sete Lágrimas, Grupo Vocal Olisipo, Orquestra XXI and MPMP (Patrimonial Movement for Portuguese Music). She is a member of the Gulbenkian Choir and regularly collaborates with the ensembles Gli Accenti and São Tomás de Aquino. She is a co-founder and member of Ensemble 258, dedicated to the interpretation of baroque music and the renewal of European musical heritage.

 


Thiago MatiasIn 2002, he finished classical guitar with the highest grade at the Calouste Gulbenkian Conservatory in Aveiro. In 2005, he completed his studies at the High School of Music in Lisbon, and in the 2003/04 academic years. studied at the Royal Conservatory in Madrid in the Erasmus student exchange program. During his studies, he won several prizes at guitar competitions, among others the 3rd prize at the Legato competition in Porto in 2000 and the 1st prize at the Música en Compostela competition in Santiago de Compostela in 2004. In 2005, he began studying early percussion instruments, such as theorba, lute, vihuela and baroque guitar. He regularly collaborates with a number of ensembles, among which Concerto Campestre, Vocal Ensemble, Orquestra Sinfónica Portuguesa, Ludovice Ensemble, Sete Lágrimas and Orquestra Barroca da Casa da Música stand out. With some of these ensembles, he recorded 13 albums and played in the most famous concert halls and music festivals in twenty countries from Europe to Asia. He founded the Noa Noa ensemble with Filipe Faria in 2012, and in 2014 he recorded Língua, the best-selling classical music album in Portugal, in 2014. Língua 2 (2015), En la mar (2016) and Palavricas d'amor (2017) followed. He published his first solo album Cifras de Violav in 2021 with unpublished works from Manuscript 97 from the University Library in Combrai. That album was nominated for the RTP/Vodafone Award in the category of the best classical sound carrier for the following year. As a pedagogue, he led a series of master workshops for lute and guitar, and teaches the same subjects at the Calouste Gulbenkian Conservatory in Aveiro, the Bairrada Art School and the National Conservatory in Lisbon.

English

Teresa Duarte glazbeno je obrazovanje započela sa sedam godina u rodnom Lisabonu učeći violončelo. Studij pjevanja završila je na Visokoj školi za glazbu u Lisabonu te na Konzervatoriju u Amsterdamu. Na Visokoj školi za glazbu u Lisabonu također je završila i magistarski studij iz glazbene pedagogike. Tijekom studija učila je kod Armanda Possantea, Sílvije Mateus, Luísa Madureira, Ane Paule Russo, Harryja van Bernea, Pierrea Maka, Sasje Hunnego, Lúcije Lemos i Manuela de Sá. Usavršavala se kod Jill Feldman, Isabel Alcobia, Susan Waters, Ire Siffa, Margreet Honig, Ann Murray, Gabriele Fontana i Sandy Oliver. U Amsterdamu je radila s redateljima, kao što su Floris Visser, Gusta Teengs Gerritsen i Corina van Eijk. Surađivala je s Capellom Sanctae Crucis, La Academia de los Nocturnos, Sete Lágrimas, Grupo Vocal Olisipo, Orquestra XXI i MPMP (Patrimonialni pokret za portugalsku glazbu). Članica je Zbora Gulbenkian i redovito surađuje s ansamblima Gli Accenti i São Tomás de Aquino. Suutemeljica je i članica Ensemble 258 posvećenog interpretaciji barokne glazbe i obnovi europske glazbene baštine.

 


Tiago Matias je 2002. s najvišom ocjenom završio klasičnu gitaru na Konzervatoriju Calouste Gulbenkian u Aveiru. Godine 2005. zaključio je studij na Visokoj školi za glazbu u Lisabonu, a studijske godine 2003./04. je u programu razmjene studenata Erasmus studirao na Kraljevskom konzervatoriju u Madridu. Tijekom školovanja osvojio je nekoliko nagrada na gitarskim natjecanjima, među ostalima 3. nagradu na natjecanju Legato u Portu 2000. i 1. nagradu na natjecanju Música en Compostela u Santiagu de Compostela 2004. Godine 2005. započeo je studirati rane trzalačke instrumete, kao što su teorba, lutnja, vihuela i barokna gitara. Redovito surađuje s nizom ansambala, među kojima se ističu Concerto Campestre, Vocal Ensemble, Orquestra Sinfónica Portuguesa, Ludovice Ensemble, Sete Lágrimas i Orquestra Barroca da Casa da Música. S nekim je od tih ansambala snimio 13 albuma i svirao u najpoznatijim koncertnim dvoranama i na glazbenim festivalima u dvadesetak zemalja od Evrope do Azije. S Filipeom Fariom je 2012. utemeljio ansambl Noa Noa te 2014. s njim snimio nosač zvuka Língua, te godine najprodavaniji album klasične glazbe u Portugalu. Slijedili su Língua 2 (2015.), En la mar (2016.) i Palavricas d’amor (2017.). Svoj prvi solistički album Cifras de Violav objavio je 2021. s neobjavljenim djelima iz Manuskripta 97 iz Sveučilišne knjižnice u Combraiu. Taj je album nominiran za Nagradu RTP/Vodafone u kategoriji najboljeg klasičnog nosača zvuka za sljedeću godinu. Kao pedagog vodio je niz majstorskih radionica za lutnju i gitaru, a iste predmete predaje na Konzervatoriju Calouste Gulbenkian u Aveiru, Umjetničkoj školi Bairrada i Nacionalnom konzervatoriju u Lisabonu. Ravnatelj je Quartel das Artes (Oliveira do Bairro) od siječnja 2018. i polaznik je doktorskog studija na Sveučilištu u Combrai od 2021.

hrvatski

Koncert uz baroknu kavu by Various, Ab (2022/2022)

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte