Name: Konzert in Villingen-Schwenningen
Start: 2022-04-05T00:00:00.000Z
End: 2022-04-05T00:00:00.000Z
Location: Franziskaner Konzerthaus

Organization

Pianoforte

Christian Zacharias

Direzione d'orchestra

Cantante

Soprano

Ruby Hughes

Orchestra

Stuttgart Philharmonic

Konzert in Villingen-Schwenningen

Villingen-Schwenningen

Germania

Franziskaner Konzerthaus

Konzert in Villingen-Schwenningen: Concert Various

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso

Basso-baritono

Contralto

Tenore

Baritono

Mezzosoprano

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

The English composer Thomas Tallis lived during the reign of Queen Elizabeth I, the cultural peak of the English Renaissance. Ralph Vaughan Williams studied his music as a young man. Tallis's theme, which Williams fantasizes about in 1910, is a setting of the poignant Psalm verse "Why do the peoples rage, why do the nations plot in vain?"
Benjamin Britten's interest was not only in British culture, but also in the continent, particularly France, where Arthur Rimbaud's ten nearly untranslatable poems come from. Its lyrics and Britten's setting are filled with the spirit of the urban, which is transformed to a mystical and surreal level: »The Bacchantes from the suburbs are sobbing, and the moon burns and howls. Venus enters the caves of blacksmiths and hermits.« The
fact that Beethoven not only wrote an "Eroica" in 1803, which was originally to be called "Sinfonia Bonaparte", but also piano variations on the melody of the English royal anthem shows that he had sympathies for the British as well cherished, because his horizon was also that of a European.
With so many musical interdependencies of the European nations and so much inclination towards each other, the "Brexit" is also a deplorable cultural event. Christian Zacharias, internationally renowned pianist, conductor and author of this not-so-serious program about the relationship between the United Kingdom and the European continent, also found the right orchestral work for its conclusion: Haydn's 45th is not one of the twelve symphonies that he wrote for London composed, but it is a particularly expressive one, dramatic and with a uniquely staged farewell...

English

Konzert in Villingen-Schwenningen by Various, Da (2022/2022), Direttore d'orchestra Christian Zacharias, Franziskaner Konzerthaus, Villingen-Schwenningen, Germania

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Team creativo

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