Organization

Conductor

Ivan Repušić

Stage director

Dora Ruždjak Podolski

Singer

Soprano

Valentina Fijačko

Mimi

Snežana Savičić Sekulić

Musetta

Gorana Biondić

Tenor

Tomislav Mužek

Rodolfo

Baritone

Kiril Manolov

Marcello

Alen Ruško

Schaunard

Bass

Luciano Batinić

Colline

Ozren Bilušić

Alcindoro

Franjo Pavić

Benoît

Božo Župić

Miroslav Ljubičić

Parpignol

Jadran Barišković

A customs sergeant

Tonči Banov

A customs officer

Set designer

Zvonimir Ivanović

Costume designer

Barbara Bourek

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

La Bohème

Split

Croatia

La bohème Puccini

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

In his second to the great operas, not in terms of formal grandeur, but in terms of value and success, after Manon Lescaut Puccini again addresses the world of marginals, people on the fringes of society, the small world of attics and bistros in the suburbs, failed poets, painters or musicians, girls who dream of wealth and success in the hustle and bustle of the city. And in such a world, born from Murget's text, he finds the reasons for his ingenious and so succinct musical dramaturgy, that tension of the desire for life that permeates all his works and, finally, that melodic imagination that is always completely in harmony with the psychology of the characters and the dramaturgy of the situations.

English

U svojoj drugoj do  velikih opera, ne u smislu formalne veličine, već u smislu vrijednosti i uspjeha, nakon Manon Lescaut Puccini se opet obraća svijetu marginalaca, osoba na rubovima društva, malom svijetu tavana i bistroa u predgrađu, neuspjelih pjesnika, slikara ili glazbenika, djevojaka što u gradskom metežu sanjaju o bogatstvu i uspjehu. I u takvom svijetu,  poniklom iz Murgetova teksta, on pronalazi razloge svoje genijalne i tako sažete glazbene dramaturgije, onaj napon životne žudnje što prožima sva njegova djela i, naposljetku, onu melodijsku maštovitost što se uvijek posve usuglašava s psihologijom likova i dramaturgijom situacija.

hrvatski

La Bohème by Puccini, Déa 22 Feab 2007, Ó (2007/2007), Faoi stiúir Dora Ruždjak Podolski,, Seoltóir Ivan Repušić, HNK, Split, Croatia

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid