Name: La cena delle beffe
Start: 1988-12-14T00:00:00.000Z
End: 1988-12-14T00:00:00.000Z
Location: Teatro Giordano

Organization

Ténor

Fabio Armiliato

Giannetto Malespina

Soprano

Rita La Vecchia

Ginevra

Baryton

Marco Chingari

Neri Chiaramantesi

Francesco Piccoli

Gabriello Chiaramantesi

Giovanna Manci

Lisabetta

Direction d'orchestre

Gian Paolo Sanzogno

Costumes

Dario Micheli

Orchestra

Orchestra di Piacenza

Teatro Umberto Giordano

La cena delle beffe -  (Le Festin des moqueries)

Foggia

Italie

THEATER GIOR DANO DI FOGGIA 14/12/1988 Umberto Giordano THE DINNER OF THE BEFFE - Giannetto Malespini FABIO ARMILIATO Ginevra RITA LANTIERI Neri Chiaramantesi MARCO CHINGARI Gabriello Chiaramantesi FRANCESCO PICCOLI Lisabetta GIOVANNA MANCI Orchestra of Piacenza Conductor GIAN PAOLO Directed by: GIAN PAOLO VIDEO is very dark due to the poor quality of the camera lens used, considering that we are in 1988 and the support was VHS. ________________________________________________ In 1987, after a few years of career, I was offered the work of Giordano LA CENA DELLE BEFFE, based on a text by Sem Benelli at the Wexford Festival. A difficult work, at times almost impossible and above all a formidable and even a bit risky test for a young tenor ... I auditioned and they assigned me the role. The production was a great success and opened the doors of international theaters to me, laying the foundations for my career even outside Italy. In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! The production was a great success and opened the doors of international theaters to me, laying the foundations for my career even outside Italy. In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! The production was a great success and opened the doors of international theaters to me, laying the foundations for my career even outside Italy. In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! In the wake of this success, the proposal to inaugurate the Teatri Giordano in Foggia at the end of 1988 soon arrived, with the same title that had never been performed in the native city of the Apulian composer. Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision! Even in that circumstance the success arrived truly incredible sealed and amplified also by the record recording made by Bongiovanni. This production followed my debut in I VESPRI SICILIANI in Barletta and chronologically preceded the performance in Parma of UN BALLO IN MASCHERA which I have previously published on this channel. Good vision!

Salles

Dates

Calendrier