Admin

Teatro del Maggio Musicale Fiorentino

Direttore d'orchestra

Direttore d'orchestra (+2)

Gianluca Capuano

Regia

Regia (+9)

Manu Lalli

Scenografia

Roberta Lazzeri

Costumi

Gianna Poli

Luci

Vincenzo Apicella

Direzione del coro

Direzione del coro (+2)

Lorenzo Fratini

Tenore (+2)

Patrick Kabongo

Don Ramiro

Baritono (+2)

William Hernandez

Dandini

Baritono (+5)

Marco Filippo Romano

Don Magnifico

Soprano

Maria Laura Iacobellis

Clorinda

Mezzosoprano (+2)

Aleksandra Meteleva

Tisbe

Mezzosoprano (+3)

Teresa Iervolino

Angelina

Basso-baritono (+2)

Matteo D'Apolito

Alidoro

Orchestra

Orchestra E Coro Del Maggio Musicale Fiorentino

Chorus

Coro del Maggio Musicale Fiorentino

Festival di Carnevale del Maggio

Assistente alla regia

Attore (+8)

Chiara Casalbuoni

La Cenerentola, ossia la bontà in trionfo, a playful drama in two acts by Gioachino Rossini with a libretto by Jacopo Ferretti, debuted at the Teatro Valle in Rome on 25 January 1817. Having recently returned from the success of Il barbiere di Siviglia, Rossini was commissioned by the impresario del Valle to write an opera buffa for the 1817 carnival season. After evaluating and discarding numerous subjects, the composer willingly accepted Ferretti's proposal to set the well-known fairy tale of Cinderella to music. The subject is in fact taken from Cendrillon ou la petite pantoufle by Charles Perrault, but also from the opera librettos Cendrillon by Charles-Guillaume Etienne and Agatina, o la virtù premiata by Francesco Fiorini. In the libretto of Rossini's Cenerentokla there are some changes compared to Perrault's fairy tale, including the absence of magical elements in favor of comic and realistic elements. The stepmother, for example, is replaced by the stepfather Don Magnifico, a penniless nobleman who squandered the assets of his stepdaughter Angelina, known as Cinderella, the fairy godmother is replaced by Alidoro, Don Ramiro's wise tutor who will help the protagonist to fulfill her dream of love, while instead of the famous glass slipper a bracelet appears. Completely absent are the mice transformed into horses and coachmen as well as the pumpkin that becomes a carriage. Among the characters, in addition to the sweet Angelina and the prince Don Ramiro, there are the shrewish and haughty stepsisters Clorinda and Tisbe, who together with their stepfather tyrannize Angelina, and Dandini, Don Ramiro's servant who in the first act exchanges identities with the prince to test the real interest of Don Magnifico's daughters. Cinderella was written at full speed by both the librettist and the composer, who in just over twenty days signed his last opera buffa, giving yet another proof of his theatrical talent. In Cenerentola Rossini gives us moments of pure poetry, as in Angelina's arias and in the duets with Don Ramiro, and others of irresistible hilarity and ironic verve: the perfect example of this is the final concertatos, brilliant and hilarious clockwork mechanisms of which the Pesarese was undisputed master.

La Cenerentola, Rossini

Cast

Don Ramiro

Dandini

Don Magnifico

Clorinda

Tisbe

Angelina

Alidoro

Team creativo

Regia

Assistente alla regia

Direttore d'orchestra

Scenografia

Costumi

Direzione del coro

Luci

Strumentazione

Produttore

Produttore

Ensemble

Orchestra

Coro

Co-produttore

Co-produttore

Foto

Informazioni

Compositore

Libretto

Descrizione

Sinossi della produzione