Name: La Cenerentola
Start: 2005-05-19T00:00:00.000Z
End: 2005-07-16T00:00:00.000Z
Location: Opera House

Organization

Ténor

Maxim Mironov

Don Ramiro

Baryton

Simone Alberghini

Dandini

Basse

Luciano di Pascuale

Don Magnifico

Soprano

Raquela Sheeran

Clorinda

Mezzo-soprano

Lucia Cirillo

Tisbe

Ruxandra Donose

Angelina

Nathan Berg

Alidoro

Direction d'orchestre

Vladimir Jurowski

Roberto Polastri

Mise en scène

Sir Peter Hall

Décors

Hildegard Bechtler

Costumes

Moritz Junge

Lumières

Peter Mumford

Chorégraphie

Lynne Hockney

Others

The Glyndebourne Chorus

Orchestra

London Philharmonic Orchestra

Glyndebourne

La Cenerentola -  (Cendrillon)

Royaume-Uni

Opera House

Ebert Room

Lewes

This is the story of Cinderella, of course, but also the story of Beauty And The Beast. In La Cenerentola, the fairy tales feed the story, although no fairy element remains. There is no glass slipper, no good fairy, no coach... Cinderella’s stepfather ignores her and her stepsisters despise her. She spends her time cleaning a house in which she barely lives, and hopes one day she can find an escape through true love. Angelina's dream is not vain because, just as in Beauty And The Beast, beauty of the heart is the ultimate virtue, and the only one which can be victorious. As in all opera buffa, good wins over the bad.

Maxim Mironov (Prince Ramiro) and Ruxandra Donose (Angelina, called "La Cenerentola") lead an outstanding cast. Spectacular costumes by Moritz Junge and direction by Peter Hall helped make this production a huge success when it was first presented in 2005. Here, under the baton of Vladimir Jurowski (music director of the festival since 2001), the London Philharmonic Orchestra brings Rossini-like energy to the performance.

La Cenerentola Rossini

Public

Cendrillon

Valide

La Cenerentola: 'Nacqui all'affanno' – Glyndebourne

The Glyndebourne Festival's new production for Gioachino Rossini's opera in 2005: a modern classic!

This is the story of Cinderella, of course, but also the story of Beauty And The Beast. In La Cenerentola, the fairy tales feed the story, although no fairy element remains. There is no glass slipper, no good fairy, no coach... Cinderella’s stepfather ignores her and her stepsisters despise her. She spends her time cleaning a house in which she barely lives, and hopes one day she can find an escape through true love. Angelina's dream is not vain because, just as in Beauty And The Beast, beauty of the heart is the ultimate virtue, and the only one which can be victorious. As in all opera buffa, good wins over the bad.

Maxim Mironov (Prince Ramiro) and Ruxandra Donose (Angelina, called "La Cenerentola") lead an outstanding cast. Spectacular costumes by Moritz Junge and direction by Peter Hall helped make this production a huge success when it was first presented in 2005. Here, under the baton of Vladimir Jurowski (music director of the festival since 2001), the London Philharmonic Orchestra brings Rossini-like energy to the performance.

English

Cendrillon by Rossini, mer. 13 juil. 2005, Du (2005/2005), Dirigé par Sir Peter Hall,, Chef d'orchestre Vladimir Jurowski, Roberto Polastri, Opera House, Glyndebourne, Royaume-Uni

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles