Organization

Direction d'orchestre

Giampaolo Bisanti

Mise en scène

Jaco van Dormael

Chorégraphie

Michèle Anne De Mey

Décors

Vincent Lemaire

Costumes

Fernando Ruiz

Lumières

Nicolas Olivier

Video

Giacinto Caponio

Chanteur

Soprano

Jessica Pratt

Amina

Ténor

René Barbera

Elvino

Basse

Marko Mimica

Le comte Rodolfo

Mezzo-soprano

Julie Bailly

Teresa

Ugo Rabec

Alessio

Benoît Delvaux

Un notaire

Marina Monzó

Lisa

Opéra Royal de Wallonie - Liège

Others

Choeur de l'Opéra Royal de Wallonie-Liège

Orchestra

Royal Opera of Wallonia Orchestra

italien

La sonnambula -  (La Somnambule)

Liège

Belgique

La sonnambula Bellini

Public

La Somnambule

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Direction de choeur

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Wig & Makeup Designer

Writer

Writing and performance

Baryton-basse

Contralto

Baryton

Contre-ténor

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

“From time immemorial, no doubt, men and women had walked in their sleep and said strange things; these behaviors had to be explained by invoking supernatural causes, evil spirits, mysterious gifts, divine or diabolical possessions: once again, a matter of defective judgments. »
Pierre Enckell

In a Swiss village in the 19th century , a mysterious specter prowls every night. When we find the beautiful Amina sleeping in the bed of Count Rodolfo, passing through Lisa's inn, she is accused of adultery. She defends herself with force. But her promised, Elvino, furious, breaks off the engagement. Will the villagers find that the wandering ghost is none other than the beautiful and innocent sleepwalker?

A few ingredients skillfully put into verse by the brilliant Felice Romani based on an argument by Eugène Scribe are enough to give Bellini's belcanto sublime wings. The touching pastoral idyll, populated by festive villagers, featuring the beautiful and tender somnambulist, Amina, diaphanous like a Chopin nocturne, could not fail to hit the mark, in 1831, when the world was passionate about strange phenomena and sleepwalking, in particular.

Intended for the stars of the stages, Giuditta Pasta and Giovanni Rubini, the masterpiece, quintessence of Bellini's vocal art and crowned with a fine lieto , a happy ending, displays a lyricism that culminates in the famous cavatina of Amina "Ah! Non credea mirarti” where the desperate heroine, unjustly accused of infidelity, believes she feels her death is near… some unforgettable notes which will appear on the tomb of Vincenzo Bellini in Catania, he who died early at the age of 34.

English

La Somnambule by Bellini, mar. 24 janv. 2023, Du (2023/2023), Dirigé par Jaco van Dormael, Michèle Anne De Mey,, Chef d'orchestre Giampaolo Bisanti

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles