Organization

Direttore d'orchestra

Keri-Lynn Wilson

Regia

Richard Eyre

Scenografia

Scenografia (+1)

Bob Crowley

Costumi

Luci

Luci (+2)

Jean Kalman

Soprano (+1)

Kristina Mkhitaryan

Violetta Valery

Tenore

Liparit Avetisyan

Alfredo Germont

Basso (+1)

Blaise Malaba

Dottore Grenvil

Mezzosoprano (+2)

Gabrielė Kupšytė

Flora Bervoix

Baritono (+2)

Josef Jeongmeen Ahn

Barone Douphol

Tenore (+2)

Michael Gibson

Gastone de Letorières

Basso-baritono (+5)

Jeremy White

Marchese d'Obigny

Mezzosoprano

Renata Skarelytë

Annina

Royal Ballet and Opera

Orchestra

Orchestra of the Royal Opera House

Chorus

Chorus of the Royal Opera House

Royal Opera House

Coreografia

Jane Gibson

Baritono (+3)

Christoph Pohl

Giorgio Germont

Juan Jesús Rodríguez

The courtesan Violetta lives and breathes the glamour of Parisian high society, but she has never known love – until she meets Alfredo. Abandoning her hedonistic existence for a new life in the country, Violetta receives a surprise visit from Alfredo’s father, who exposes the cruelty of society’s double standards – and accelerates her tragic demise.

Giuseppe Verdi’s riches-to-rags opera has it all: from the intoxicating joy of the ‘Brindisi’ party chorus, to the hushed poignancy of the final act, where hope teeters on the edge of despair. Richard Eyre’s elegant production returns, conducted by Keri-Lynn Wilson and staring Kristina Mkhitaryan as Violetta, Liparit Avetisyan as Alfredo and Christoph Pohl as Giorgio Germont.

The featured performance for the cinema screening on the 26 April is conducted by Giacomo Sagripanti, and stars Pretty Yende as Violetta, Stephen Costello as Alfredo and Vladimir Stoyanov as Giorgio Germont.

italiano

La Traviata -  (La traviata)

Londra

Regno Unito

Main Stage

La traviata Verdi

Scenica

Opera

La traviata

inglese

A moment from The Royal Opera's La traviata with Pretty Yende and Stephen Costello.

The courtesan Violetta lives and breathes the glamour of Parisian high society, but she has never known love – until she meets Alfredo. Abandoning her hedonistic existence for a new life in the country, Violetta receives a surprise visit from Alfredo’s father, who exposes the cruelty of society’s double standards – and accelerates her tragic demise.

Giuseppe Verdi’s riches-to-rags opera has it all: from the intoxicating joy of the ‘Brindisi’ party chorus, to the hushed poignancy of the final act, where hope teeters on the edge of despair.

Approvato

Foto