Organization

Scenografia

Scenografia (+1)

Rifail Ajdarpasic

Costumi

Ariane Isabell Unfried

Drammaturgo

Drammaturgo (+1)

Marlene Hahn

Basso (+4)

Randall Jakobsh

Boris Timofeevič

Tenore (+1)

Matthias Stier

Zinovij Borisovič

Brenden Gunnell

Sergej

Basso (+2)

Ivo Stánchev

Un prete

Tenore (+4)

Sven Hjörleifsson

Un insegnante

Basso (+3)

Peter Dolinsek

Un vecchio forzato

Regia

Regia (+2)

Francisco Negrín

Tenore (+5)

Dan Karlström

Der Schäbige

Mezzosoprano (+4)

Nora Steuerwald

Sonjetka

Fantasma di Boris Timofeevič

Oper Leipzig

Chorus

Chor der Oper Leipzig

Orchestra

Gewandhausorchester

Luci

Michael Röger

Video

Marc Molinos

Soprano

Ingela Brimberg

Katerina L’vovna Izmajlova

Soprano (+1)

Friederike Meinke

Aksin’ja

Baritono (+1)

Christian Moellenhoff

Hausknecht

Ervin Ahmeti

1. Vorarbeiter / Kutscher

Tenore (+2)

Einar Dagur Jónsson

3. Vorarbeiter / Betrunkener Gast

Baritono (+4)

Marian Müller

Bote (Mühlenarbeiter)

Vincent Turregano

Baritono (+3)

Franz Xaver Schlecht

Polizeichef

Polizist

Basso (+1)

Kwangmin Seo

Un sergente

Frank Wernstedt

Soprano (+2)

Kamila Dziadko

Zwangsarbeiterin

Direzione del coro

Direzione del coro (+3)

Thomas Eitler-de Lint

Capo della Polizia

Opernhaus

Basso-baritono (+5)

Michael Raschle

Verwalter / Wächter

Direttore d'orchestra

Direttore d'orchestra (+1)

Fabrizio Ventura

Christoph Gedschold

Basso-baritono (+2)

Liam James Karai

To what lengths may a person to go to free themselves from terrible circumstances? The young Katerina, married into wealth yet lonely nonetheless, imprisoned in a mercilessly cold world dominated by men and controlled by its police force, is longing for something more. She is forced to hide her joie de vivre on account of her tyrannical father-in-law, and suppress her desires for love because her husband is impotent and distant. When he is away and the bravado Sergei starts working on the farm, she seems to have found a way out of this dull situation devoid of action. But in the end, four people are dead, including a murderess. Premiered in Leningrad in 1934, the acclaimed opera was intended to further fuel the promising career of the then 24-year-old Dmitri Shostakovich.But one visit to a performance by Stalin was enough for him to suspect the celebrated star of being a potential enemy of the regime. From then on, Shostakovich was forced to live and compose in oppressive fear. Yet where words are forbidden, his musical world simmers, sizzles and lies in wait to explode at the next touch.

Lady Macbeth of Mtsensk, Op. 29 (Lady Macbeth del distretto di Mcensk), Shostakovich

Cast

Boris

Zinovyi

Sergey

Svyashchennik

Uchitel

Old Convict

Der Schäbige

Sonjetka

Prizrak Borisa Timofeyevicha

Katerina

Aksinya

Hausknecht

1. Vorarbeiter / Kutscher

3. Vorarbeiter / Betrunkener Gast

Bote (Mühlenarbeiter)

Polizeichef

Polizist

Sergeant

Zwangsarbeiterin

Pristav

Verwalter / Wächter

Team creativo

Regia

Direttore d'orchestra

Scenografia

Costumi

Direzione del coro

Luci

Drammaturgo

Video

Strumentazione

Produttore

Produttore

Ensemble

Orchestra

Coro

Co-produttore

Foto

Informazioni

Compositore

Libretto

Descrizione

Sinossi della produzione