Name: Lalla-Roukh
Start: 2022-10-22T00:00:00.000Z
End: 2022-11-04T00:00:00.000Z
Location: O’Reilly Theatre

Organization

Wexford Festival Opera

Reżyseria

Orpha Phelan

Dyrygent

David Angus

Libretto

Michel Carré

Tenor

Pablo Bemsch

Noureddin

Scenografia

Madeleine Boyd

Kostiumy

Baryton

Ben McAteer

Baskir

Sopran

Niamh O'Sullivan

Mirza

Emyr Wyn Jones

Bakbara

Thomas D Hopkinson

Kaboul

Gabrielle Philiponet

Lalla-Roukh

Choreografia

Amy Share-Kissiov

francuski

Wexford

Irlandia

O’Reilly Theatre

Lalla-Roukh David

Public

angielski

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bas - baryton

Mezzosopran

Kontralt

Kontratenor

Spoken

Głos dziecięcy

Silent

Alto

Continuo

Born in Dublin to a mother who came from Wexford, Moore enjoyed immediate success with his Irish Melodies — the source of such famous songs as The Minstrel Boy and The Last Rose of Summer — and his ‘Oriental romance’ Lalla Rookh increased that fame. Tapping into Romantic sensibilities and capitalising on the popularity of The Thousand and One Nights, it inspired several operas by composers as diverse as Gaspare Spontini and Anton Rubinstein, not to mention Charles Villiers Stanford’s first opera The Veiled Prophet of Khorassan, heard at Wexford in 2019. Further indicating its wide appeal to composers, there is also Schumann’s great choral-orchestral work Paradies und die Peri.

Even in this company, David’s work stands out for its delicate evocation of Kashmir and Samarkand. It has been praised for its ‘dreamy atmosphere and aromatic orchestration’. The hard-to-please Héctor Berlioz was quick to admire Lalla Roukh and it was almost instantly recognised as the composer’s masterpiece.

Wexford audiences will know David from his somewhat heavier Herculanum, staged at the festival in 2016 and dating from four years before Lalla Roukh. He enjoyed an unusual career, beginning with his apprenticeship as a young boy in the cathedral choir at Aix-en-Provence. Most of his creative work was done in Paris, but when it came to musical exoticism he knew what he was talking — or, rather, writing — about. Having joined the radical religious sect of the Saint-Simonians, when it was disbanded by the government he travelled with a group of friends preaching its gospel in the Ottoman lands and going as far as Egypt. His remarkable ode-symphonie Le Désert was an early musical manifestation of this, but Lalla Roukhis a more mature example of his talent for evoking the picturesque.

English

Lalla-Roukh by David, Félicien, ndz 30 paź 2022, od (2022/2022), W reżyserii Orpha Phelan,, Dyrygent David Angus, O’Reilly Theatre, Wexford, Irlandia

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca