Name: L'amor coniugale
Start: 2021-12-12T00:00:00.000Z
End: 2021-12-12T00:00:00.000Z
Location: Salle Ravel

Organization

Stage director

David Stern

Soprano

Chantal Santon Jeffery

Zeliska

Natalie Pérez

Floreska

Bass

Olivier Gourdy

Peters

Halidou Nombre

Moroski

Tenor

Guy Elliott

Ardelao

Opera Fuoco

Orchestra

Orchestre Opera Fuoco

L'amor coniugale -  (The Conjugal Love)

Levallois-Perret

France

Salle Ravel

L'amor coniugale Mayr

Public

The Conjugal Love

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contralto

Countertenor

Baritone

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

What is good with Giovanni Simone Mayr's Conjugal Amor is that we are immediately in a known country: and for a very simple reason, since it is the story of Fidelio, from Beethoven's Fidelio. The story as told in the libretto by Jean-Nicolas Bouilly, adapted and transposed in an imaginary Poland of the seventeenth century by the librettist Gaetano Rossi, tells us about the adventures of a heroine who undertakes to release her husband from captivity. . As in Fidelio, the six characters are all colorful and the dramatic unfolding is masterfully conducted.

Little is known about this work by Mayr, as in general we do not know much about Mayr, and that is a pity, because it shows not only an accomplished writing technique and a remarkable sense of drama. Our opera lover's ear places him immediately somewhere between Carl Maria von Weber - for the remarkable dramatic effects that orchestral writing knows how to stage - and Gioachino Rossini for the lightness of the orchestration and the so seductive vocal writing, occasionally virtuoso, because we are in full bel canto - which works wonders in ensemble pieces, duets, trios, quartets and sextets. Not to mention that Mayr's real melodic talent makes it hard to get rid ofof a melody when you have it in your head (in fact, until you hear the next one )! The proportions are perfect, and in just one hour and a half game, everything is said, with humor, seriousness and of course a lot of feeling. 

We are fortunate to have Mayr's autograph manuscript: his fine and light writing certainly very quickly follows his musical imagination which is constantly renewing and never repeating itself, and it is obvious that he cares about an orchestra. always transparent which carries the voice and highlights it. This does not prevent him from occasionally giving the first role to the orchestra, for example on the occasion of the long prelude of the second scene when the spectator will discover Amorveno (the husband) captive at the bottom of a dark underground. The work had lasting success in the decades following its creation in 1805.The proportions are perfect, and in just one hour and a half part, everything is said, with humor, seriousness and of course a lot of sentiment.

English

The Conjugal Love by Mayr, ne 12 pro 2021, Od (2021/2021), Režie David Stern,, Salle Ravel, Levallois-Perret, France

Výkonnostní kredity (Obsazení a tým )

Obsazení

Soubor

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény