Name: Le comte Ory
Start: 2013-02-16T00:00:00.000Z
End: 2013-02-27T00:00:00.000Z
Location: Theater an der Wien

Organization

Ténor

Lawrence Brownlee

Le Comte Ory

Soprano

Cecilia Bartoli

La Comtesse Adèle de Formoutiers

Mezzo-soprano

Mari Eriksmoen

Isolier

Liliana Nikiteanu

Dame Ragonde

Basse

Peter Kálmán

Le Gouverneur

Baryton

Pietro Spagnoli

Raimbaud

Direction d'orchestre

Jean-Christophe Spinosi

Mise en scène

moshe leiser

Patrice Caurier

Décors

Christian Fenouillat

Costumes

Agostino Cavalca

Lumières

Martin Gebhardt

Christophe Forey

Gaia Petrone

Alice

Chanteur

Rupert Enticknap

Mainfroy

Andrew Owens

Un coryphée

MusikTheater an der Wien

Others

Ensemble Matheus

français

Le comte Ory -  (Le Comte Ory)

Vienne

Autriche

Theater an der Wien

allemand

Valide

Instrumentalist

Piano

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Livret

Chorégraphie

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contre-ténor

Contralto

Baryton-basse

Parlé

Voix d'enfant

Rôle muet

Alto

Continuo

LE COMTE ORY Gioachino Rossini

The desert Count Ory is a character from the troubadour poetry. A Picard ballad tells how he smuggled himself into a monastery with 14 cronies in nun disguise and there begat 14 new knights with the real nuns. Rossini's last comic opera was created on the basis of a piece by comedy routineer Eugène Scribe about this Count Ory - an extremely piquant masterpiece both musically and in terms of content. The libretto is a witty parody of classic French tragedy.

Almost all men are on a crusade. When they left, the women had to pledge chastity and are now sitting around bored in the castles. The beautiful young Comtesse Adèle de Formoutiers sinks into deep melancholy. Her sadness is inexplicable to her, so she seeks out a supposedly pious hermit in order to get to the bottom of her bad mood with his help. This hermit is none other than the nationally known libertine Comte Ory, who wants to take advantage of the absence of the other men. He has almost got the Comtesse to the point where she takes him to the castle as spiritual advisor, when he is exposed and chased away. But the lascivious does not give up and, disguised as a nun, still gains entry into the castle. Only the page Isolier finds out about Ory and finally can tenderly

For Le Comte Ory, Rossini used music from his coronation opera Il viaggio a Reims (1825), which he himself found difficult to perform, but of whose music he was rightly proud.
Hector Berlioz praised the trio “À la faveur de cette nuit obscure”, in which the nocturnal erotic confusion between Comtesse, Ory and Isolier culminates as a uniquely ingenious idea. Le Comte Ory is Rossini's last musical comedy before he
finally withdrew from opera composition after Guillaume Tell (1829).

English

Le Comte Ory by Rossini, mer. 20 févr. 2013, Du (2013/2013), Dirigé par moshe leiser, Patrice Caurier,, Chef d'orchestre Jean-Christophe Spinosi, Theater an der Wien, Vienne, Autriche

Crédits de représentation (Distribution et équipe de production )

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Programme, À Propos & Synopsis

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