Admin

Organization

Festtage Berlin

Sänger

Bariton

Gyula Orendt

Der Graf Almaviva

Sopran

Elsa Dreisig

Die Gräfin Almaviva

Nadine Sierra

Susanna

Bass

Riccardo Fassi

Figaro

Tenor

Stephan Rügamer

Basilio

Siegfried Jerusalem

Don Curzio

Maurizio Muraro

Doktor Bartolo

Liubov Medvedeva

Barbarina

Dirigat

Daniel Barenboim

Regie

Vincent Huguet

Bühnenbild

Aurélie Maestre

Kostümbild

Clémence Pernoud

Chordirektion

Martin Wright

Dramaturgie

Louis Geisler

Mezzosopran

Emily D'Angelo

Cherubino

Katharina Kammerloher

Marzelline

David Oštrek

Antonio

Lichtgestaltung

Irene Selka

Choreographie

Thomas Wilhelm

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

Italienisch

Le nozze di Figaro -  (Die Hochzeit des Figaro)

Berlin

Deutschland

Staatsoper Unter den Linden

Le nozze di Figaro by W.A. Mozart, from Staatsoper Unter den Linden performed at Staatsoper Unter den Linden, 2021. Directed by Vincent Huguet, conductor Daniel Barenboim, starring Gyula Orendt, Elsa Dreisig, Nadine Sierra, Riccardo Fassi, Emily D'Angelo, Katharina Kammerloher, Stephan Rügamer, Siegfried Jerusalem, Maurizio Muraro, David Oštrek, Liubov Medvedeva.

This production will not be available in Japan.

Le nozze di Figaro« is rightly regarded as a prime example of a musical comedy. Together with his librettist Lorenzo Da Ponte, the 30-year-old Wolfgang Amadeus Mozart had created an opera that set new standards - with its vitality, its lightning-fast turns, its multiple trials and tribulations and a music that carries deep sensitivity as well as humour and wit.

With Mozart's three Da Ponte operas, director Vincent Huguet and conductor Daniel Barenboim embark on a journey through time in which the characters evolve and transform. Young people's loves and sorrows come onto the stage in the form of both true and feigned emotions - although in the case of »Figaro«, which forms the second part of this trilogy, these worlds are set in the 80s with their special style and charm. Fast pace and situation comedy come to the fore as well as thoughtfulness and melancholy. The immense art of differentiation, as it is so vividly shown in Mozart's marvelous work, will also be reflected in the musical and scenic presentation.

Programmheft der Produktion

Weiterführende Literatur