Organization

Conductor

Corrado Rovaris

Guest Conductor

Emilio Sagi

Set designer

Daniel Bianco

Costume designer

Renata Schussheim

Lighting designer

Eduardo Bravo

Choreographer

Nuria Castejón

Singer

Baritone

Vittorio Prato

The Count of Almaviva

Soprano

Carmela Remigio

The Countess of Almaviva

Natalia Labourdette

Susanna

Bass

Alessio Arduini

Figaro

Mezzo-soprano

Cecilia Molinari

Cherubino

Amparo Navarro

Marcelline

Ricardo Seguel

Bartolo

Tenor

Manuel de Diego

Basilio

Juan Antonio Sanabria

Don Curzio

Inés Ballesteros

Barbarina

Pablo López

Antonio

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Le nozze di Figaro -  (The Marriage of Figaro)

Seville

Spain

Teatro de la Maestranza

Sala Principal

Le nozze di Figaro Mozart

Public

The Marriage of Figaro

Approved

Natalia Labourdette, Susanna15.12.2022 Teatro de la Maestranza SevillaReal Orquesta Sinfónica de SevillaCorrado Rovaris, conductorEmilio Sagi, stage director

Giunse al fin il momento...Deh, vieni non tardar (Susanna) Le nozze di Figaro | W. A. Mozart

The long experienced and brilliant Stage Director Emilio Sagi explains that in his Marriage of Figaro, the location of Sevilla is not a mere decorative background but rather “one more character”. Accordingly, with the theatrical inspiration of a very unique city of opera, Sagi’s production of The Marriage of Figaro spreads out a labyrinth of passions, infidelities and social class conflict at the crossroads of the changes in the 18th century to announce a new era. This first collaboration between Mozart and his librettist Da Ponte is a marvel of psychological insight, innovative language and the most beautiful of arias which stay with us forever.

The Marriage of Figaro is an ensemble of precise mechanism: an intensely choral artefact that requires an excellent cast. And the Maestranza has just this. A compact international team of singers headed by baritone Alessio Arduini, soprano Natalia Labourdette and baritone Vittorio Prato. Conductor Corrado Rovaris, Musical director of the Philadelphia Opera, leads. In 2019 he enjoyed great success at the Maestranza with his incisive reading of Don Pasquale by Donizetti. All of the above is encased in a production of the ever elegant and crystalline Emilio Sagi, who the Teatro de la Maestranza awaits with expectation, after the impossibility of putting on his longed-for vision of Carmen in 2021. Now, Sagi returns to Sevilla to illuminate one of the Mozart jigsaws which, even with the passing of time, continues to show off new angles.

English

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