Organization

Direzione d'orchestra

Jesús López-Cobos

Regia

Emilio Sagi

Scenografia

Daniel Bianco

Costumi

Renata Schussheim

Luci

Eduardo Bravo

Coreografia

Nuria Castejón

Direzione del coro

Peter Burian

Cantante

Soprano

Barbara Frittoli

La Contessa di Almaviva

Baritono

Ludovic Tézier

Il Conte di Almaviva

Isabel Rey

Susanna

Basso

Luca Pisaroni

Figaro

Mezzosoprano

Marina Comparato

Cherubino

Jeannette Fischer

Marcellina

Carlos Chausson

Bartolo

Tenore

Raúl Giménez

Basilio

Enrique Viana

Don Curzio

María Soledad Cardoso

Barbarina

ABAO Bilbao Opera

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

italiano

Le nozze di Figaro

Madrid

Spagna

It is not a question of divine inspiration, the truth is Wolfgang Amadeus Mozart put considerable effort into looking for a suitable subject before composing The Marriage of Figaro. Another misconception is that this work reflects the values of the French Revolution, when in fact its underlying theme is a celebration of the “Ehepatent”, the new decree on marriage issued by Joseph II, Holy Roman Emperor, in 1783. This decree contained three principles that fascinated Mozart: marriage should be for love; the authorisation of the parents was no longer required; and there should be witnesses to the marriage, leading to the hilarious scene in the opera where Figaro is measuring a room which is scarcely big enough for the bed, when a chorus of twenty people suddenly appears, all of them witnesses. Both Mozart and Da Ponte were aware of the importance of such an edict as part of the modernisation of society, but they also knew that the human impulses are difficult to tame, so that compliance with the new law would be problematic.

 

The impossibility of human beings reaching utopia often leads to melancholy. Melancholy is present in this opera because all the characters end up losing something: the Countess - love; the Count - power; Figaro - his agility; Cherubino - his innocence; and Barbarina - her virginity. These fine threads weave a complex story and finally depict a humanity worthy of Beethoven: forgiveness is achieved due to the inner  strength of women, as in the leading women of an Almodóvar film.

Le nozze di Figaro by Mozart, Da (2022/2022), Diretto da Emilio Sagi,, Direttore d'orchestra Jesús López-Cobos

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