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Organization

Cantante

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Bo Skovhus

Il Conte di Almaviva

Soprano

Christine Schäfer

La Contessa di Almaviva

Mari Eriksmoen

Susanna

Basso

Andrè Schuen

Figaro

Mezzosoprano

Elisabeth Kulman

Cherubino

Ildikó Raimondi

Marcellina

Christina Gansch

Barbarina

Direzione d'orchestra

Nikolaus Harnoncourt

Direzione del coro

Erwin Ortner

Peter Kálmán

Bartolo

Antonio

Tenore

Mauro Peter

Basilio

Don Curzio

Libretto

Lorenzo Da Ponte

Don Giovanni

Mika Kares

Il Commendatore

Masetto

Donna Anna

Don Ottavio

Maité Beaumont

Donna Elvira

Ruben Drole

Leporello

Zerlina

Fiordiligi

Katija Dragojevic

Dorabella

Guglielmo

Ferrando

Despina

Markus Werba

Don Alfonso

MusikTheater an der Wien

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Arnold Schoenberg Chor

Orchestra

Concentus Musicus Vienna

italiano

Le nozze di Figaro

Vienna

Austria

Theater an der Wien

From the Theater an der Wien. Wolfgang Amadeus Mozart (1756-1791): "Don Giovanni" in a concert performance. Musical direction: Nikolaus Harnoncourt. With Andrè Schuen (Don Giovanni), Christine Schäfer (Donna Anna), Mauro Peter (Don Ottavio), Mika Kares (Il Commendatore/Masetto), Maite Beaumont (Donna Elvira), Ruben Drole (Leporello), Mari Eriksmoen (Zerlina). In March 2014, Nikolaus Harnoncourt, a world-renowned original sound specialist, conducted all three operas that Mozart wrote to libretti by Lorenzo Da Ponte, in the sound guise he had in mind after decades of intensive study of Mozart. Again and again the familiar could be heard in a new way in this concentration on the essentials by Harnoncourt, the tireless discoverer and researcher. " if his perspective hasn't changed over the years. For him, the quintessence of the really great masterpieces is that they never have to be updated because they have been current for centuries.

From the Theater an der Wien. Wolfgang Amadeus Mozart (1756-1791): "Così fan tutte" in a concert performance. Musical direction: Nikolaus Harnoncourt. With Mari Eriksmoen (Fiordiligi), Katija Dragojevic (Dorabella), Mauro Peter (Ferrando), Andrè Schuen (Guillelmo), Elisabeth Kulman (Despina), Markus Werba (Don Alfonso). In March 2014, Nikolaus Harnoncourt, a world-renowned original sound specialist, conducted all three operas that Mozart wrote to libretti by Lorenzo Da Ponte, in the sound guise he had in mind after decades of intensive study of Mozart. Again and again the familiar could be heard in a new way in this concentration on the essentials by Harnoncourt, the tireless discoverer and researcher. "Nikolaus Harnoncourt is active in old age as a Mozart extremist", wrote the Salzburger Nachrichten and went on to report: "The audience enthusiastically celebrated those involved for the fascinating adventure". Da Ponte was Mozart's long-awaited partner, who gave language to his idea of ​​musical theater; in four years the two together created "Le nozze di Figaro", "Don Giovanni" and "Così fan tutte" - three pioneering masterpieces in opera history. Nikolaus Harnoncourt has dealt intensively with them and has often given the audience great moments. Again and again he allows us to discover something new in the apparently so familiar works and he always finds a new approach to them himself. He must be embarrassed, he says, if his perspective hasn't changed over the years.

rom the Theater an der Wien. Wolfgang Amadeus Mozart (1756-1791): "Le nozze di Figaro" in a concert performance. Musical direction: Nikolaus Harnoncourt. With Bo Skovhus (Conte di Almaviva), Christine Schäfer (Contessa di Almaviva), Mari Eriksmoen (Susanna), Andrè Schuen (Figaro), Elisabeth Kulman (Cherubino), Ildikó Raimondi (Marcellina), Peter Kálmán (Bartolo/Antonio), Mauro Peter (Basilio/Don Curzio), Christina Gansch (Barbarina). In March 2014, Nikolaus Harnoncourt, a world-renowned specialist in original sound, conducted all three operas that Mozart wrote to libretti by Lorenzo Da Ponte, in the sound guise he had in mind after decades of intensive study of Mozart. Again and again the familiar could be heard in a new way in this concentration on the essentials by Harnoncourt, the tireless discoverer and researcher. "Nikolaus Harnoncourt is a Mozart extremist in his old age," wrote the Salzburger Nachrichten and went on to report: "The audience enthusiastically celebrated the participants for the fascinating adventure". Da Ponte was Mozart's long-awaited partner, who gave language to his idea of ​​musical theater; in four years the two together created "Le nozze di Figaro", "Don Giovanni" and "Così fan tutte" - three pioneering masterpieces in opera history. Nikolaus Harnoncourt has dealt intensively with them and has often given the audience great moments. Again and again he allows us to discover something new in the apparently so familiar works and he always finds a new approach to them himself. He must be embarrassed, he says, if his perspective hasn't changed over the years. For him, the quintessence of the really great masterpieces is that they never have to be updated because they have been current for centuries.

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Così fan tutte

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