Name: L'Heure espagnole
Start: 2015-05-28T00:00:00.000Z
End: 2015-06-23T00:00:00.000Z
Location: Theater am Fleischmarkt

Admin

Organization

Cantante

Soprano

Natalia Kawałek-Plewniak

Concezione

Tenore

Vladimir Dmitruk

Gonsalvo

Baritono

Tobias Greenhalgh

Ramiro

Basso

Christoph Seidl

Don Inigo Gomez

Direzione d'orchestra

Gelsomino Rocco

Regia

Philipp M. Krenn

Costumi

Uta Gruber-Ballehr

Scenografia

Libretto

Gijom Apoliner

Franc- Nohain

MusikTheater an der Wien

francese

L'Heure espagnole -  (L'ora spagnola)

Vienna

Austria

Theater am Fleischmarkt

L'ora spagnola

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Mezzosoprano

Controtenore

Contralto

Basso-baritono

Alto

Mimi

Narrazione

Voce bianca

L'heure espagnole / Les mamelles de Tirésias

Maurice Ravel (1875-1937) and Francis Poulenc (1899-1963) wanted to revive the genre of Italian opera buffa from the spirit of the French language with their works L'heure espagnole and Les mamelles de Tirésias . An undertaking that was initially unsuccessful in both cases, as both pieces failed with large sections of the audience when they were first performed at the Opéra Comique. A judgment that has long been refuted, because both works are among the most humorous and successful compositions that the 20th century has produced in this genre.

In Ravel's L'heure espagnole, the fixed weekly appointment that the watchmaker spends away from home suits his wife at just the right time. She ordered the young poet Gonzalve to go on a rendezvous. However, she has not planned on the donkey driver Ramiro, who is waiting for her husband to return because of an urgent repair of his watch. A grotesque game of confusion and hide-and-seek begins, which threatens to spiral out of control with the appearance of a love-hungry banker.

A gender swap determines what happens in Poulenc's comical grotesque Les mamelles de Tirésias. A woman, tired of male rule, shed her breasts and mutated into a general. Her husband then decides to take care of having children himself and gives birth to more than 1,000 children.

English

L'ora spagnola by Ravel, Da (2015/2015), Diretto da Philipp M. Krenn,, Direttore d'orchestra Gelsomino Rocco, Theater am Fleischmarkt, Vienna, Austria

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