Organization

Cantante

Soprano

Paula Murrihy

Concezione

Tenore

Frédéric Antoun

Gonsalvo

Spencer Lang

Torquemada

Baritono

Andrei Bondarenko

Ramiro

Basso

Michael Hauenstein

Don Inigo Gomez

Direzione d'orchestra

Pavel Baleff

Regia

Jan Eßinger

Scenografia

Sonja Füsti

Costumi

Jeannette Seiler

Luci

Hans-Rudolf Kunz

Direzione del coro

Ernst Raffelsberger

Drammaturgia

Kathrin Brunner

Mezzosoprano

Deniz Uzun

Il bambino

Contralto

La madre

Hamida Kristoffersen

La bergère Luigi XV

La civetta

Il pipistrello

Una pastorella

Sen Guo

Il fuoco

La principessa

L'usignolo

Irène Friedli

La tazza

La libellula

Gemma Ní Bhriain

La gatta

Un pastore

Dmytro Kalmuchyn

L'orologio

Il gatto

François Piolino

Il piccolo vegliardo

La raganella

La teiera

Ildo Song

La poltrona

L'albero

Opernhaus Zürich

Orchestra

Musikkollegium Winterthur

Others

SoprAlti der Oper Zurich

Zusatzchor der Oper Zürich

francese

L'Heure espagnole -  (L'ora spagnola)

Zurigo

Svizzera

Opernhaus

L'Heure espagnole Ravel (+1 More)

Public

L'ora spagnola

Il bambino e gli incantesimi

Approvato

Zwei Kurzopern von Maurice RavelMusikalische Leitung Pavel BaleffInszenierung Jan EßingerWeitere Informationen: bit.ly/OHZRavel

Regisseur Jan Eßinger spricht in diesem Video über seine Inszenierung des Ravel-Doppelabends «L'Heure espagnole / L'Enfant et les sortilèges» am Opernhaus Zürich.
Wir zeigen die zwei Kurzopern von Maurice Ravel, die ihre Premiere im vergangenen Jahr in Winterthur hatten, in einer neuen, attraktiven Besetzung in Zürich: unter anderem mit der irischen Mezzosopranistin Paula Murrihy als Conception, dem kanadischen Tenor Frédéric Antoun als Gonzalve und unserem Ensemblemitglied Deniz Uzun als Enfant. Vorstellungen am 19, 21, 26, 28 Jan; 1 Feb 2018:
https://www.opernhaus.ch/ravel

L'Heure espagnole / L'Enfant et les sortilèges
We are showing the double evening with two short operas by Maurice Ravel, which had its premiere last year in Winterthur, in a new, attractive line-up in Zurich: among others, with the Irish mezzo-soprano Paula Murrihy as Conception, the Canadian tenor Frédéric Antoun as Gonzalve and our Ensemble member Deniz Uzun as enfant.

Maurice Ravel's penchant for music boxes, jukeboxes and unusual clocks is well known - and it was also reflected in his first one-act opera, the Comédie musicale L'Heure espagnole . Ravel's musical wealth of ideas is stunning, for example when he makes audible a whole mechanical arsenal from a watchmaker's shop in the overture. But this shop becomes a completely different playground: Here, after her husband is out, the extravagant conception receives one lover after the other. The salacious ambiguity of score and plot appalled the music critics of the time, who spoke contemptuously of "musical pornography". The opera quickly disappeared from the repertoire, but today it is undoubtedly one of the most attractive short operas.

Ravel's second opera, L'Enfant et les sortilèges based on a libretto by the poet Colette, was a success from the start. Here, too, Ravel writes a colorful and extremely original score. The story is about a child who is punished for not doing his homework. Out of anger, it begins to destroy things that later nightmarishly turn against the child. Gradually, however, they learn what empathy means and begin to take responsibility for their actions.

Deutsch

English

L'ora spagnola by Ravel, Il bambino e gli incantesimi by Ravel, Da (2018/2018), Diretto da Jan Eßinger,, Direttore d'orchestra Pavel Baleff, Opernhaus, Zurigo, Svizzera

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