Name: L'incoronazione di Poppea
Start: 2014-06-15T00:00:00.000Z
End: 2014-06-22T00:00:00.000Z
Location: Madlenianum

Organization

Dirigent

Predrag Gosta

Regissör

Sofija Perović

Dramaturg

Pia-Rabea Vornholt

Scenograf

Tamara Brankovic

Tijana Trailovic

Kostym designer

Slavica Ribać

Madlenianum Opera and Theatre

Orchestra

New Trinity Baroque

Artistic Director

Marijana Mijanovic

Instrumentalist

Cembalo

Soprano

Jana Jovanović

Poppea

Countertenor

Janja Vuletic

Nerone

Meike Albers

Carlo Vistoli

Ottone

Dragana Popović

La Fortuna

Ottavia

Bass

Plamen Kumpikov

Seneca

Marina Serpagli

La Virtù

contralto

Arnalta

Vesna Marković

Drusilla

Marijana Šovran

L'Amore

Tenor

Radmilo Petrović

Lucano

Familiari di Seneca

Milan Stančić

Sångare

1. Console

Tribuno

Liberto

Marijana Radosavljević

Pallade

Ljus designer

Srđan Jovanović

L'incoronazione di Poppea

Belgrad

Serbien

Madlenianum

Velika scena

L'incoronazione di Poppea Monteverdi

Public

Approved

An excerpt from the premiere performance of Monteverdi's "Coronation of Poppea", presented by the New Belgrade Opera and the Madlenianum Opera-Theatre in 2014, with instrumentalists of New Trinity Baroque, directed from the harpsichord by Predrag Gosta.

CO-PRODUCTION OF THE OPERA AND THEATER MADLENIANUM and NEW BELGRADE OPERA
within IX EARLY MUSIC FESTIVAL on historical instruments

http://www.i-m.mx/pgosta/NBO/projekti.html

 

Large Stage of Madlenianum at 19.30h  

Premiere: 15th June, 2014.
Revival: 22nd June, 2014.

Artistic Directors: Predrag Gosta i Marijana Mijanović

Stage Director: Sofija Perović, Conductor: Predrag Gosta

Orchestra: New Trinity Baroque (USA)

Soloists:

Jana Jovanović, Janja Vuletić (Croatia)

Carlo Vistoli (Italy)

Dragana Popović, Plamen Kumpikov (Bulgaria)

Marina Serpagli (Italy)

Vesna Marković, Marijana Šovran (Monte Negro)

Radmilo Petrović, Milan Stančić, Marijana Radosavljević

Dramaturgy: Pia – Rabea Vornholt (Germany)

Costumes: Slavica Ribać

Scenography: Tijana Trailović, Tamara Branković

One of the most talented Italian opera composers, Claudio Monteverdi (1567-1643), appeared at the very beginning of opera development as a genre and in 17th century he put an incredibly strong seal onto this genre, starting with the famous opera L'Orfeo in the beginning of the century (1607).

The Coronation of Poppea , the opera created in 1643, is considered to be the first real opera in the history of music, telling about Roman era and the Roman Emperor Nero, who, although being married to Octavia, but seduced and enchanted by his mistress Poppea, manages to marry her.  

This opera has some all-time features and consequently it is even today possible to understand its main driving ideas, the desire for power, passion, love, betrayal, jealousy, greed and crazy ambition of Poppea to put the crown on her head. 

Neither the wisdom of Seneca, nor public opinion, neither friends, nor enemies deter the protagonists from their intention. Poppea, as an eternal femme fatale, uses her charms to seduce Nero, but her eroticism serves her primarily to gain a high social status and provide her all kind of profligacy.  The cruelty of the loving couple is infinite, so despite love and love ardor, audience does not take their side. The fall of morals, the loss of control over all, even of one’s one life, rushing into increasing profligacy prove the image of the world that is neither solely ancient nor solely Roman.

The Coronation of Poppea has been premiere performed in Serbia in co-production of Madlenianum and New Belgrade Opera and Predrag Gosta, the director of the newly founded New Belgrade Opera gathered an international team of participants, enthusiasts, particularly prominent singers, the old music specialists. Besides the vocal part directed by the prominent artist Mirijana Mijanović, as well as Gosta himself, the ensemble on old and authentic instruments, New Trinity Baroque from the USA, certainly contributed to the true values and returned us to the time of beginnings of opera.   On the other hand, the attempt to bring the piece of art closer to a contemporary opera fan and a visitor has been the effort of the young generation to connect archaic and contemporary.

The Coronation of Poppea opera is regarded as masterpiece and one of the most successful operas going deep into historical themes, characters and the true periods of reign, in this case the Roman Emperor Nero’s rule in the 1st century AD.  

.................................................................................................

Bel Etage, Madlenianum, 15th and 22nd June at 18.30h

DISCUSSION ON THE CORONATION OF POPPEA OPERA

15.6. speaking:  Predrag Gosta i Marijana Mijanović

22.6. speaking:  Predrag Gosta i Sofija Perović

English

KRUNISANJE POPEJE

http://www.i-m.mx/pgosta/NBO/projekti.html

15. juna 2014. godine NBO je predstavila svoj prvi projekat - operu "L'Incoronazione di Poppea" ("Krunisanje Popeje") italijanskog baroknog kompozitora Klaudija Monteverdija (1567-1643). U koprodukciji sa operom i teatrom Madlenianum u Zemunu, ova opera je premijerno prikazana po prvi put u Srbiji, uz soliste/umetnike iz Italije, Hrvatske, Austrije, Nemačke, Bugarske, Crne Gore i Srbije. Repriza je bila 22.6.

 

Orkestrom na istorijskim instrumentima New Trinity Baroque iz Sjedinjenih Američkih Država dirigovao je sa čembala Maestro Predrag Gosta, a režiju je radila Sofija Perović.

 

KOMPLETNA PODELA:

 

Jana Jovanović, sopran - Poppea 
Janja Vuletić, mezzo-sopran (Hrvatska) - Nerone (premijera 15.6.)

Meike Albers, sopran (Nemačka) - Nerone (repriza 22.6.)
Carlo Vistoli, kontratenor (Italija) - Ottone 
Dragana Popović, mezzo-sopran - Ottavia, Fortuna
Plamen Kumpikov, bas (Bugarska) - Seneca 

Marina Serpagli, mezzo-sopran (Italija) - Arnalta, Virtù 
Vesna Marković, sopran - Drusilla 
Marijana Šovran, sopran (Crna Gora) - Amore
Radmilo Petrović, tenor - Lucano, Console, Famigliare di Seneca

Milan Stančić, bariton (BiH) - Liberto, Famigliare di Seneca, Tribune

Marijana Radosavljević, sopran - Pallade

 

Muzički direktor i dirigent: Marijana Mijanović i Predrag Gosta

Reditelj: Sofija Perović

Dramaturg: Pia-Rabea Vornholt (Nemačka)
Vocal Coaching: Marijana Mijanović i Predrag Gosta
Kostimi: Slavica Ribać
Scenografi: Tijana Trailović i Tamara Branković

Majstor svetla: Srđan Jovanović

 

Orkestar: Ansambl NEW TRINITY BAROQUE

                  na istorijskim instrumentima

српски

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Instrumentation

Besättning

Ensemble